The Florentine Painters of the Renaissance / With An Index To Their Works

by Bernard Berenson

• Florence.
  • Uffizi, 1252. Adoration of Magi (unfinished). Begun in 1481.
• London.
  • Burlington House, Diploma Gallery. Large Cartoon for Madonna with St. Anne.
• Milan.
  • S. Maria delle Grazie, Refectory. Fresco: Last Supper.
• Paris.
  • 1265. Annunciation. E.
  • 1598. Madonna with St. Anne (unfinished).
  • 1599. “La Vierge aux Rochers.”
  • 1601. “La Gioconda.”
• Rome.
  • Vatican, Pinacoteca. St. Jerome, (unfinished).

Note:—An adequate conception of Leonardo as an artist can be obtained only by an acquaintance with his drawings, many of the best of which are reproduced in Dr. J. P. Richter’s “Literary Works of Leonardo da Vinci,” and in B. Berenson’s “Drawings of the Florentine Painters.”

FILIPPINO LIPPI

1457-1504. Pupil of Botticelli; influenced by Amico di Sandro, and very slightly by Piero di Cosimo.

• Berlin.
  • 78a. Allegory of Music. L.
  • 96. Crucifixion with Virgin and St. Francis. L.
  • 101. Madonna.
  • Fragment of Fresco: Head of Youth in black cap, with brown curls.
• Bologna.
  • S. Domenico, Chapel R. of High Altar. Marriage of St. Catherine. 1501.
• Copenhagen.
  • Meeting of Joachim and Anne. L.
• Florence.
  • Academy, 89. St. Mary of Egypt.
  • 91. St. Jerome.
  • 93. The Baptist.
  • 98. Deposition (finished by Perugino).
  • Pitti, 336. Allegorical Subject.
  • Uffizi, 286. Fresco: Portrait of Himself. E.
  • 1167. Fresco: Old Man. E.
  • 1257. Adoration of Magi. 1496.
  • 1268. Madonna and Saints. 1486.
  • Palazzo Corsini. Tondo: Madonna and Angels. E.
  • Mr. Herbert P. Horne. Christ on Cross. L.
  • Palazzo Torrigiani. Bust of Youth.
  • S. Ambrogio, Niche L. Monochromes: Angels, and medallions in predella. L.
  • Badia. Vision of St. Bernard with Piero di Francesco del Pugliese as Donor. Soon after 1480.
  • Carmine, Brancacci Chapel. Completion of Masaccio’s Frescoes. 1484. Angel delivering St. Peter; Paul visiting Peter in Prison; Peter and Paul before the Proconsul; Martyrdom of Peter; (in the “Raising of the King’s Son”) the group of four men on the extreme L.; the Boy; and eight men and a child in a row.
  • S. Maria Novella, Strozzi Chapel. Frescoes: Episodes from Lives of Evangelist and St. Philip, etc. Finished 1502.
  • S. Spirito. Madonna and Saints, with Tanai di Nerli and his Wife.
  • Villa Reale di Poggio a Cajano (near Florence), Porch. Fragment of Fresco.
• Genoa.
  • Palazzo Bianco, Sala V, 30. Madonna and Saints. 1503.
• Kiel.
  • Prof. Martius. Madonna.
• Lewes (Sussex).
  • Mr. E. P. Warren. Tondo: Holy Family and St. Margaret.
• London.
  • 293. Madonna with SS. Jerome and Dominic.
  • 927. Angel adoring.
  • Mr. Robert Benson. Dead Christ.
  • Sir Henry Samuelson. Moses striking the Rock. Adoration of Golden Calf.
  • Sir Julius Wernher. Madonna. L.
• Lucca.
  • S. Michele, first Altar R. SS. Helena, Jerome, Sebastian, and Roch. E.
• Naples.
  • Annunciation, with Baptist and St. Andrew. E.
• New Haven (U. S. A.).
  • Jarves Collection, 81. Christ on Cross.
• Oxford.
  • Christ Church Library. Centaur; on back, unfinished allegorical figures.
• Prato.
  • Municipio, 16. Madonna with Baptist and St. Stephen. 1503.
  • Fresco in Tabernacle on Street Corner: Madonna and Saints. 1498.
• Rome.
  • S. Maria sopra Minerva, Caraffa Chapel. Annunciation. Frescoes: Triumph of St. Thomas Aquinas; Assumption of Virgin. 1489-1493.
• St. Petersburg.
  • Stroganoff Collection. Annunciation. L.
• Strasburg.
  • University Gallery, 214. Head of Angel (a fragment).
• Venice.
  • Seminario, 15. Christ and the Samaritan Woman.
  • 17. “Noli me Tangere.”
• Vienna.
  • Herr Eugen von Miller Aicholz. Christ on Cross.

FRA FILIPPO LIPPI.

1406-1469. Pupil of Lorenzo Monaco and follower of Masaccio; influenced by Fra Angelico.

• Ashridge Park (Berkhampstead).
  • Earl Brownlow. Madonna.
• Berlin.
  • 58. Madonna.
  • 69. Madonna adoring Child.
  • 95. “Madonna della Misericordia.”
  • 95b. Predella: Miraculous Infancy of a Saint.
• Florence.
  • Academy, 55. Madonna and Saints.
  • 62. Coronation of Virgin. 1441.
  • 79. Virgin adoring Child.
  • 82. Nativity. E.
  • 86. Predelle: S. Frediano changing the Course of the Serchio; Virgin receiving the Announcement of her Death; St. Augustine in his Study.
  • 263. Gabriel and Baptist.
  • 264. Madonna and St. Antony Abbot.
  • Pitti, 343. Madonna. 1442.
  • Uffizi, 1307. Madonna.
  • Palazzo Alessandri. St. Antony Abbot and a Bishop. SS. Lawrence, Cosmas, and Damian and Donors.
  • Palazzo Riccardi (Prefecture). Madonna.
  • S. Lorenzo, Martelli Chapel. Annunciation, and Predelle.
• London.
  • 248. Vision of St. Bernard. 1447.
  • 666. Annunciation. E.
  • 667. Seven Saints. E.
• Lyons.
  • M. Edouard Aynard. Predella: St. Benedict and Novice.
• Munich.
  • 1005. Annunciation. E.
  • 1006. Madonna.
• Oxford.
  • University Galleries, 12. Meeting of Joachim and Anne.
• Paris.
  • 1344. Madonna and Angels. 1437.
• Prato.
  • Duomo, Choir. Frescoes: Lives of St. Stephen and the Baptist (assisted by Fra Diamante). 1452-1464.
    • R. Transept. Fresco: Death of St. Bernard (the upper part by Fra Diamante). Ordered 1450.
• Richmond (Surrey).
  • Sir Frederick Cook. Tondo: Adoration of Magi. E. SS. Michael and Antony Abbot. 1457.
• Rome.
  • Lateran, 65. Triptych: Coronation, Saints and Donors (the angels are, in execution at least, by another hand, probably Fra Diamante’s).
  • Prince Doria. Annunciation.
  • Mr. Ludwig Mond. Annunciation and Donors.
• Spoleto.
  • Duomo, Apse. Frescoes: Life of Virgin (chiefly by Fra Diamante). Left unfinished at death.
• Turin.
  • Accademia Albertina, 140, 141. The Four Church Fathers.

LORENZO MONACO.

About 1370-1425. Follower of Agnolo Gaddi and the Sienese.