Correspondence between types of Judgment and nature of objects as Knowledge
1. The question of correspondence between the types of Judgment and the orders of Knowledge was really anticipated in discussing the relation between the content and the form of knowledge. We saw that the content or matter and nature known determines on the whole the form or method of knowledge by which it can be known.
I give a few cases of this correspondence, not professing to complete the list. We should accustom ourselves to think of these forms as constituting a progression in the sense that each of them betrays a reference to an ideal of knowledge which in itself it is unable to fulfil, and therefore inevitably suggests some further or divergent form. And the defect by which the forms contradict the ideal, is felt by us as a defect in their grasp of reality, in their presentation of real connections.
“Impersonal” Judgment
a. We think of the judgment as predicating an ideal content of a subject indicated in present perception. But there are judgments which scarcely have an immediate subject at all, such as “How hot!” “Bad!” “It hurts!” In the judgments thus represented the true subject is some {62} undefined aspect of the given complex presentation. Of course the words which we use are not an absolutely safe guide to the judgment—they may be merely an abbreviation. But there are typical judgments of this kind in which we merely mean to connect some namable content with that which can only be defined as the focus of attention at the moment. Such judgments might be called predications of mere quality. The only link by which they bind their parts into a whole is a feeling referred to our momentary surroundings. A mere quality, if not defined or analysed, or a feeling of pleasure or pain, is the sort of object which can be expressed in such a judgment.
Perceptive Judgment
b. Then we have the very wide sphere of perceptive judgment, which we may most conveniently confine to judgments which have in the subject elements analogous to “This,” “Here,” “Now.” Such particles as these indicate an effort to distinguish elements within the complex presented. They have no content beyond the reference to presentation, and, in “here” and “now,” an implication that the present is taken in a particular kind of continuum. Otherwise they mean nothing more or other than is meant by pointing with the finger. We may or may not help out a “subject” of this kind by definite ideas attached to it as conditions of the judgment. If we do, we are already on the road to a new form of knowledge, incompatible with the judgment of perception. For so long as we keep a demonstrative, spatial or temporal, reference in the thought, the subject of judgment is not cut loose from our personal focus of presentation. And as the existence of such a focus is undeniable, we are secure against criticism so far as the {63} content of the subject is concerned. But if we begin to specify it, we do so at our peril.
Such judgments as these have been called “Analytic judgments of sense.” [1] The term is not generally accepted in this meaning, but is conveniently illustrative of the nature of these judgments. It is intended to imply that they are a breaking up and reconstruction of what, in our usual loose way of talking, is said to be given in sense-perception. They remain on the whole within the complex of “that which” is presented.
[1] Mr. F.H. Bradley, Principles of Logic, p. 48.
From the point of view which we have taken, such judgments are not confined to what we think it worth while to say, but are the essence of every orderly and objective perception of the world around us. In a waking human consciousness nothing is unaffirmed.