'Tools, tools!' he said smiling—'for the eyes, the ears, the lips. I shall take up this one when I need it, not before. Meanwhile it lies ready to my hand.'

'I do not doubt thy cunning,' she said faintly.

'What then, Madonna?' he asked.

She struggled with herself, swallowing with difficulty.

'Its adequacy for its purpose—that is all.'

'What purpose?'

She looked up, and dared him:—

'To destroy the Duchess.'

He laughed out, tolerantly.

'Intuition! Intuition! O thou self-wounding impulse! To destroy the Duchess? Well! What is thy ring for? To destroy Monna Beatrice, belike. And Monna Beatrice had her instrument too, they will say afterwards—a blunt, coarse blade, but hers, hers only—as she thought. Yet, it seems, one Ludovic used something of him, this Narcisso, also—played him for his ends—marked him down, even, for landlord to a fribble called Tassino. What, Carissima! He hath not told thee so much?'