Ivory and nut-brown are they all, these vintagers, with cheeks like burning leaves, and hair blue-black as grape-clusters, and eloquent animal eyes, and, in the women, copious bosoms half-veiled in tatters, like gourds swelling under dead foliage. But the milk that plumps these gourds is still of the primeval quality. Tessa's passions are of the ancient dimensions, if her religion is of to-day. Her assault and surrender borrow nothing from convention. No billing and rhyming for her, with canzonarists and madrigalists under the lemon trees, in the days when the awnings are hung over to keep the young fruit from scorching; but rough pursuit, rather, and capture and fulfilment—all uncompromising. She is here to eat and drink and love, to enjoy and still propagate the fruits of her natural appetites. She does not, like Rosamonda, brush her teeth with crushed pearls; she whets and whitens them on a bone. She does not powder her hair with gold dust; the sun bronzes it for her to the scalp. No spikenard and ambergris make her rags, or perfumed water her body, fragrant for her master's mouthing. Yet is she desirable, and to know her is to taste something of the sweetness of the apple that wrought the first discord. She is still a child of Nature, though Messer Bembo's creed surpasses her best understanding. She loves burnt almonds and barley-sugar, and crunches them joyously whenever some public festival gives her the chance; but the instincts of order and self-control are long vanished from the category of her qualities, and she survives as she is more by virtue of her enforced than her voluntary abstinences. For the rest, civilisation—the civilisation that always encompasses without touching, without even understanding her—has made her morals a terror, and the morals of most of her comrades, male or female, of 'The Vineyard.'
It is, in fact, the sink of Milan, is this vineyard—a very low quarter indeed; and, it is to be feared, other red juice than grapes' swells the profits from its vats. Here are to be found, and engaged, a rich selection of the tagliacantoni, the hired bravos who kill on a sliding scale of absolution, with fancy terms for the murder which allows no time for an act of contrition. Here the soldier of fortune, who has gambled away, with his sword and body-armour, the chances of an engagement to cut throats honestly, festers for a midnight job, and countersigns with every vein he opens his own compact with the devil. Here the oligarchy of beggars has its headquarters, and composes its budgets of social taxation; and here, finally, in the particular den of one Narcisso, desperado and ladrone, hides and shivers Messer Tassino, once a Duchess's favourite.
He does not know why he is hidden here, or for what purpose Messer Ludovico beguiled and threatened him from the more sympathetic custody of his friend Jacopo, to deposit him in this foul burrow. But he feels himself in the grip of unknown forces, and he fears and shivers greatly. He is always shivering and snuffling is Messer Tassino; whining out, too, in rebellious moods, his pitiful resentments and hatreds. His little garish orbit is in its winter, and he cries vainly for the sun that had seemed once to claim him to her own warmth and greatness. He has heard of himself as renounced by her, condemned, and committed, on his detested rival's warrant, to judgment by default. Yet, though it be to save his mean skin, he cannot muster the moral courage to come forth and right the wrong he has done. That, he knows, would spell his last divorce from privilege; and he has not yet learned to despair. He had been so petted and caressed, and—and there are no lusty babies to be gathered from Messer Bembo's eyes. At least, he believes and hopes not; and, in the meanwhile, he will lie close, and await developments a little longer.
Perhaps, after all, there is knowledge if little choice in his decision. He may be justified, of his experience, in being sceptical of the disinterestedness of spiritual emotionalism, or at least of the feminine capacity for accepting its appeal disinterestedly. But of this he is quite sure—that sanctity itself shall not propitiate, by mere virtue of its incorruptibility, the woman it has scorned; and, in that certainty, and by reason of that experience, he nurses the hope of still profiting by the revulsion of feeling which he foresees will occur in a certain high lady as a consequence of her rebuff.
Still, however that may chance, he finds his present state intolerable. It is not so much its dull and filthy circumstance that appals him, though that is noxious enough to a boudoir exquisite; it is the shadow of Messer Ludovico's purpose, shapeless, indistinct, eternally conning him from the dark corners of his imagination, which takes the knees out of his soul. Is he really his friend and patron, as he professes to be? He recalls, with a sick shudder, how once, when in the full-flood of his arrogance, he had dared to keep that smooth and accommodating prince waiting in an ante-room while he had his hair dressed. He, Tassino, the fungus of a night, had ventured to do this! What a fool he had been; yet how worse than his own folly is the dissimulation which can ignore for present profit so unforgettable an insult! It is not forgotten; it cannot be; yet, to all appearances, Ludovico now visits him, on the rare occasions when he does so, with the sole object of informing him, sympathetically, of the progress of Bona's new infatuation. Why? He has not the wit to fathom. Only he has not so much faith in this disinterestedness as in the probability of its being a blind to some deadly policy.
How he hates them all—the Duchess, the Prince, the whole world of courtly rascals who have flattered him out of his obscurity only to play with and destroy him! If he can once escape from this trap, he will show them he can bite their heels yet. But what hope is there of escaping while Ludovico holds the secret of the spring? Day after day finds him gnawing the bars, and whimpering out his spite and impotence.
He has not failed, of course, to question his landlord Narcisso, or to weep over the futile result. Even if the little wretch's tact and wit were less negligible quantities, there is that of crafty doggedness in his gaoler to baffle the shrewdest questioner. Deciding that the man is in the paid confidence of the 'forces,' Tassino soon desists from attempting to draw him, and vents on him instead his whole soul of vengeful and disappointed spite.
Narcisso, for his part, offers himself quite submissively to the comedy; waits on him with a sniggering deference; stands while he eats; brings water, none the most fragrant, for him to dip his fingers in afterwards; dresses his hair with a broken comb, and takes his own dressing for pulling it with a grinning impassivity; lends, in short, his huge carcass in every way to be the other's butt and footstool. This exercise in overbearance is a certain relief to the prisoner; but, for all the rest, his time hangs deadlily on his hands. There are no restrictions placed upon him. He is free to come and go—as he dares. His terror is held his sufficient gaoler, and it suffices. He never, in fact, puts his nose outside the door, but contents himself, like the waspish little eremite he has become, with criticising and cursing from his solitary grille the limbs and lungs and life of the f[oe]tid world in which his later fortunes seem cast. So much for Messer Tassino!
One particular night saw him cowering before the caldano, or little domestic brazier, which must serve his present need in lieu of hotter memories; for the season was chilling rapidly, and what freshness had ever been in him was long since starved out. He was grown a little grimy and unkempt in these days, and his clothes were stale. The room in which he sat was, in its meanness and squalor, quite typically Vineyardish. Its furniture was of the least and rudest; it had not so much as a solitary cupboard to hold a skeleton; it was as naked to inspection as honesty. That was its owner's way. Narcisso was a very Dacoit in carrying all his simple harness on and about him. He cut his throats and his meat impartially with the same knife; or toasted, as he was doing now, slices of Bologna sausage on its point. His abortive scrap of a face puckered humorously, as the other, drawing his cloak tighter about him, damned the pitiful dimensions of their hearth.
'I would not curse the fire for its smallness, Messer,' he said. 'Wilt need all thy breath some day for blowing out a furnace.'