'Take good Messer Cola, and—' he paused a little, gazing winningly into his captive's surprised, splenetic face—'and have him soundly flogged before the gate-house—to the bone, Andrea, tell Messer Jacopo.'
Before the luring treachery of this stroke the prisoner stood for one moment shocked, aghast. The next, as the guard seized him, he broke into a storm of vituperations and blasphemies, calling upon all the gods of Rome to protect him from a monster. Andrea crushed his mailed hand down on his writhing lips; he was dragged away struggling and screaming. As he disappeared Galeazzo descended mincingly to the hall, bent on pursuing the show. A cloud of courtiers, male and female flocked, like rooks following a plough, in his wake. As he left the citadel and was crossing the outer ward, two ladies—one a young woman in her late twenties; the other a slim, pale girl of thirteen—broke from a group of attendants, and came, wreathed in one embrace, to accost him. The elder, looking in his face with a certain questioning anxiety, spoke him with a propitiatory smile and sigh:—
'Galeazino, O thou little sweetest burden on my heart!'
The endearment was really an inquiry, a warning; for there was a foreboding madness in his eyes. He made as if he would have struck her from his path. Her child companion caught his wrist with a merry cry:—
'My little father, whither sportest thou without thy women?'
He changed the direction of his hand and flipped the younger's cheek.
'Come, then, chuck,' said he. 'There is a frolic toward that will speed an idle hour.'
She caught up her skirts and followed him, as did the other, but less closely.
The gatehouse commanded from its battlements an open panorama of the town as far as the piazza of the duomo. Immediately to its front, in a bare extended space, stood the whipping-post, a stout beam set on end on a stage and furnished with hooks and chains. Already on the ground beside this (by preconcerted arrangement indeed) was a certain functionary, much respected of Milan. This was Messer Jacopo, the high court executioner—one, by virtue of his dealings in blood, almost on an equality with the master herald himself. Immobile and voiceless, he stood there like a model in an armoury. A short shirt of mail, and over it a scarlet jerkin with a plain dagger at the waist; hose of sober grey; a bonnet and shoes of black velvet, the first adorned with a red quill, the second with red rosettes; gorget and steel gauntlets—such was the whole of Messer Jacopo, save for the wooden, inessential detail of his face and its fixed eyes of glass. There was something painfully human, by contrast, in his understrappers, two or three of whom stood at hand in leathern aprons—men of a rich, moist physique and greasy palms, and jocund, slaughter-house expression. These were on bantering terms with the mob, with all that loose raff of the neighbourhood, which had come streaming and pushing and chattering to witness the sport. It was not often that the rats of the quarter Giovia had a master of philosophy to desert.
They had not long to wait. Almost simultaneously a little surging group appeared at the gates, and a throng of gay heads above the ramparts. The jostle and delighted whisper went among the crowd. What proportion would the scourging of a prince's tutor bear to the punishment it avenged? It surely would not be allowed to lose by procrastination. They craned their necks to catch an early sight of the victim. One of the assistants whipped experimentally through his fingers a thick, cruel thong of bullock-hide. It clacked a dry tongue.