“No,” he said, near sobbing, “I lied. Do what you will with us: make us angels or swine—I am content, so long as I may serve you.”

As he spoke, the door opened, and de Crespigny entered. He greeted me with a rather shifty look, I thought, and his manner seemed too distraught to affect any particular notice of his servant’s obvious emotion.

“O, well, ma bella Unanina,” said he; “but a little sitting for this afternoon, please.”

I flushed, and was about to refuse to remain at all, when an imploring scowl from Gogo softened me. With plenty of hauteur, I stalked into a little curtained-off alcove which was consecrated to me for tiring-room, and there dressed for model. When I emerged again, my feet and arms were bare, my hair loose in a golden fillet, and, for the rest, I wore a kind of seraph smock, in which les convenances had been constrained to clothe me for the peerless Una.

For as Una I was being painted. Looking one day through de Crespigny’s portfolios, I had come upon some “impressions,” royal, strenuous, of lions in the Tower menagerie, and was admiring the lithe, strong darlings, when his voice breathed behind me, with that little eternal foolish giggle.

“Have you decided, naughty?”

“Yes,” I whispered. “I will be the fairy lady whom the lion came to devour, and remained to serve and protect, because she was so pure and innocent.”

He did not know who I meant; so I found him the book and place.

“Ah, to be sure!” said he, reading eagerly. “She laid her stole aside, did she? Yes, it is an inspiration. It will suit me, if it does you.”

So I was painted wonderfully as Una, making my own “stole” from one of Patty’s bedgowns, and glorying, out of my very shamefacedness, to feed the inspiration, while it lasted, of this impassioned art. Now, for days it had wrought without slackening, so that it was an offence to me to find it suddenly become, it seemed, without apparent cause or reason, out of tune with its subject. He worked fitfully, dully, almost, as it were, disregarding my presence, and drawling commonplaces the while to Gogo, who had returned to his pestle and mortar, and was grinding away sullenly.