"I had to say what I did because I did not want the people to go off with such crude and false conceptions of art. I knew that Lubinsky would not dare to differ from Tolstoy. He adores the old man. So do I, but I cannot afford to give up my mind to any one—not until I become a respectable member of the synagogue, and join a number of secret orders. Then it does not matter. The worst thing about a charming, noble personality is that our admiration for it gets the better of our reasoning power and we become ready to follow it in all its follies. This is the regrettable influence that Tolstoy has exerted upon Lubinsky. Thus our emancipators enslave us. 'Be yourself,' says Emerson, and you become an Emersonian.
"But there is something else I wanted to say on this question of art. We Jews anticipated and lived in perfect accord with Tolstoy's theory of art—that art must be religious and must be burdened with a message, or a purpose—and the result is that we have no fine arts of our own, except poetry, which has more sighs and sobs and tears and piety than music and beauty. Of course, the reason for the absence of art among us is one of the commandments, which forbids the making of images, and oh, I cannot tell you how sorry I am that this commandment was ever observed. I do not object so much to the other nine commandments, but for this one I can never forgive my people. And here, by the way, is an example of what the religious consciousness can do for art.
"There is a religious consciousness which makes people unconscious of religion. 'The piety of art is the quest of the unattainable,' and the more freedom you give it from missions the greater the mission it will fulfil. One more answer to the theory of art for Tolstoy's sake: Here is a fable that occurred to me as I was listening to the lecture. I have no time to elaborate and polish it, but I give you the right to plagiarize it.
"'You must pardon me,' said Art to Beauty, one day, 'if I do not pay so much attention to you as I used to, but this is a world of evils and problems, and I will have to leave you for awhile and go forth and help to make a better, juster system of society.' And Art went forth to fight the battle of the poor and the oppressed, and Beauty waited wistfully for its return, alone and deserted, withered and faded. After many years Beauty went in quest of her lost lover, Art, who had not returned, and she came upon a field of battle, and there, transformed into rebel warrior, was her lost lover, Art. And even as she gazed, a shot was fired from the enemy, and it pierced the heart of Art, and he lay prostrate and dead before her."
V "Three Stages of the Game"
We had been speaking of "the only law that never changes"—the law of change: of the glorious ascent of the youthful nonconformist, and of the sad descent of the older and wiser compromiser—a theme, by the way, as old as age and yet as new as youth. We all had friends we once looked up to and now looked down upon, and we indulged in a few reminiscences. Every army had its deserters, every cause its traitors, and the crusaders who carried the red flag also changed their minds, lost heart and ran home.