"They are all there, the comrades, the radicals, the red ones, and dreamers; people who are free because they own nothing. Poets, philosophers, novelists, dramatists, artists, editors, agitators and other idle and useless beings, they form a great galaxy in the New York Ghetto. For several years, ever since I left New York, I had been receiving instruction and inspiration from them through the medium of the Yiddish and the Socialist press, where my own things often appeared beside their spirited outpourings, and now I was overcome by an overpowering desire to meet them again, talk matters over and fight it all out. There is no sham about the East Side branch of the ancient and most honorable order of Bohemians—the little changing, moving world that is flowing with the milk of human kindness and the honey of fraternal affections, where those who live may die and those who die may live. Here among the East Side Bohemians people feel freely, act independently, speak as they think and are not at all ashamed of their feelings. They have courage. They wear their convictions in public. They do as they please, whether that pleases everybody else or not. They talk with the purpose of saying something. They write with the object of expressing their ideas. They tell the truth and shame those who do not. Hearts are warm because they own their souls. Those who really own their souls will never lose them. As Joseph Bovshover, the fine poet of the East Side has sung:
'Beauty hideth,
Nature chideth,
When the heart is cold;
Fame is galling,
Gold's enthralling,
When the mind is sold.'
"They all assemble in the cafés, those universities of the East Side, and in these places of judgment all things are determined. Is there a great world problem that puzzles and vexes all mankind? The debaters at one of these tea-houses take it up at their earliest discussion and soon the problem is solved and the way of human progress is clear again. Is there a question that has troubled the ages? Come and spend fifteen minutes on the East Side, and the salvation of humanity will be assured to you. There is so much squalor and suffering and sorrow here that nothing can overcome the optimism of these chosen people. Their incurable faith cannot be shaken even by their religious leaders, and when they become atheists they are the most pious atheists in all the world. But in the cafés the great issues given up in despair by famous statesmen are met and decided upon. The trusts? Are they not paving the way for the realization of Socialism? Not until all the industries have been concentrated by the trusts will the people through the government be able to take possession of them. Otherwise, how in the world will the new régime, for instance, ever organize and take hold of all the peanut stands of the land? You do not understand the question thoroughly if you have not read the articles of I. A. Hurwitz in the 'Vorwarts.' The future of war? There will be no war in the future. The workingmen of all countries are uniting and so are the capitalists. The international movement is not laboring in vain. Socialism is spreading in the European armies. Every government will have enough trouble in its own land. Others come here and say that every government will have to fight for its own life and will not be able to do anything else. People will take Tolstoy's advice and cease to pay taxes and withdraw their support from the powers that rule. Tolstoy, say some, is a masterful artist, but puerile as a philosopher, a curious mixture of genius and narrow-mindedness, a man, who once having erred, now sins against mankind by denying it the right of erring. The red-haired ragged orator with blue eye-glasses and the face of a Hebrew Beethoven quotes Ingersoll. 'Tolstoy,' said the agnostic, 'stands with his back to the rising sun.' And did not Edward Carpenter say of Tolstoy's book, 'that strange jumble of real acumen and bad logic, large-heartedness and fanaticism—What is art?'
"Ibsen is somber because he is almost alone in seeing the most tragic phases of life, because he feels compelled to treat what all other artists have neglected. Many of his plays are too much like life to be acted, and we go to the theatre only to see plays. One of the listeners speaks of the appreciation of Ibsen in 'The New Spirit,' by Havellock Ellis, and of the analogy that he finds between Ibsen and Whitman. Zangwill places Ibsen above Shakespeare, and more recently he has bestowed great praise upon Hauptmann. Rather strange of Zangwill, who is himself not a realist and has gone in for Zionism, to like Ibsen so much. And who is greater than Ibsen? some one asks. 'Perhaps it is I. Zangwill,' says the cynical, frowzy and frowning little journalist. G. Bernard Shaw is mentioned as a candidate, and his great little book on Ibsenism comes in for a heated discussion. Brandes is quoted, and several of his admirers present go into ecstasies over his works and almost forget the writers whom he has treated. The pale-faced, wistful-eyed poet with the Christlike face rises high on the wings of his eloquence in praise of the Danish critic's appreciation of Heine, and Brandes is declared to be one of the greatest Jews in the world. What was it Brandes said about Zionism? Zionism, Socialism and Anarchism come up in turn, and so many trenchant and vital things are said on these subjects. Will the novel pass away? The dramatist—bulky and bearded, impressive and strong-looking, with wonderful piercing eyes—the dramatist is inclined to think that it will. The short story is the story of the future. Long novels give one a glimpse of eternity. By the time you come to the last chapter, conditions have so changed in the world that you do not know whether the story is true to life or not. It is the necessarily historical, the long novel is. Old Jules Verne has won the East Side over with the fine words he has said on Guy De Maupassant. Some admirers of Z. Libin say that the Frenchman is too romantic, but on the whole he is the favorite story-writer. 'Yes,' says the Jewish actor, 'De Maupassant writes for all the Yiddish papers'; and in fact all the East Side dailies have for years been treating their readers to his charming tales. He may be imagined to be a constant contributor. Did not an old Israelite walk into the office of the 'Jewish Cry' and ask to see Friedrich Nietzsche? And then the problem of Nietzsche comes up; whether he was, or was not a reaction against, or the opposite extreme from, the meekness of Christianity, the weakness of his time. Wagner's music, Stephen Phillips's poetry, Zola's essay on realism, Maeterlinck's transcendentalism, Gorky's rise in letters, the Anglo-Saxon isolation in literature, Ludwig Fuldas's latest play, all these things are decided upon by people who understand them, more or less.
"I cannot tell you more, but these meetings and these talks at various times and in various places made my vacation on the East Side delightful. Then there were lectures and meetings and social gatherings of the comrades. The sun of new ideas rises on the East Side. Everywhere you meet people who are ready to fight for what they believe in and who do not believe in fighting. For a complete change and for pure air you must go among the people who think about something, have faith in something. Katz, Cahan, Gordin, Yanofsky, Zolotaroff, Harkavy, Frumkin, Krantz, Zametkin, Zeifert, Lessin, Elisovitz, Winchevsky, Jeff, Leontief, Lipsky, Freidus, Frominson, Selikowitch, Palay, Barondess, and many other intellectual leaders, come into the cafés to pour out wisdom and drink tea, and here comes also Hutchins Hapgood to get his education. Each man bears his own particular lantern, it is true, but each one carries a light and every one brings a man with him.