Considering the manifold clamours, that have been raised from several quarters, against the Fable of the Bees, even after I had published the vindication of it, many of my readers will wonder to see me come out with a second part, before I have taken any further notice of what has been said against the first. Whatever is published, I take it for granted, is submitted to the judgment of all the world that see it; but it is very unreasonable, that authors should not be upon the same footing with their critics. The treatment I have received, and the liberties some gentlemen have taken with me, being well known, the public must be convinced before now, that, in point of civility, I owe my adversaries nothing: and if those, who have taken upon them to school and reprimand me, had an undoubted right to censure what they thought fit, without asking my leave, and to say of me what they pleased, I ought to have an equal privilege to examine their censures, and, without consulting them, to judge in my turn, whether they are worth answering or not. The public must be the umpire between us. From the Appendix that has been added to the first part, ever since the third edition, it is manifest, that I have been far from endeavouring to stifle, either the arguments or the invectives that were made against me; and, not to have left the reader uninformed of any thing extant of either sort, I once thought to have taken this opportunity of presenting him with a list of the adversaries that have appeared in print against me: but as they are in nothing so considerable as they are in their numbers, I was afraid it would have looked like ostentation, unless I would have answered them all, which I shall never attempt. The reason, therefore, of my obstinate silence has been all along, that hitherto I have not been accused of any thing that is criminal or immoral, for which every middling capacity could not have framed a very good answer, from some part or other, either of the vindication or the book itself.
However, I have wrote, and had by me near two years, a defence of the Fable of the Bees, in which I have stated and endeavoured to solve all the objections that might reasonably be made against it, as to the doctrine contained in it, and the detriment it might be of to others: for this is the only thing about which I ever had any concern. Being conscious, that I have wrote with no ill design, I should be sorry to lie under the imputation of it: but as to the goodness or badness of the performance itself, the thought was never worth my care; and therefore those critics, that found fault with my bad reasoning, and said of the book, that it is ill wrote, that there is nothing new in it, that it is incoherent stuff, that the language is barbarous, the humour low, and the style mean and pitiful; those critics, I say, are all very welcome to say what they please: In the main, I believe they are in the right; but if they are not, I shall never give myself the trouble to contradict them; for I never think an author more foolishly employed, than when he is vindicating his own abilities. As I wrote it for my diversion, so I had my ends; if those who read it have not had theirs, I am sorry for it, though I think myself not at all answerable for the disappointment. It was not wrote by subscription, nor have I ever warranted, any where, what use or goodness it would be of: on the contrary, in the very preface, I have called it an inconsiderable trifle; and since that, I have publicly owned that it was a rhapsody. If people will buy books without looking into them, or knowing what they are, I cannot see whom they have to blame but themselves, when they do not answer expectations. Besides, it is no new thing for people to dislike books after they have bought them: this will happen sometimes, even when men of considerable figure had given them the strongest assurances, before hand, that they would be pleased with them.
A considerable part of the defence I mentioned, has been seen by several of my friends, who have been in expectation of it for some time. I have stayed neither for types nor paper, and yet I have several reasons, why I do not yet publish it; which, having touched nobody’s money, nor made any promise concerning it, I beg leave to keep to myself. Most of my adversaries, whenever it comes out, will think it soon enough; and nobody suffers by the delay but myself.
Since I was first attacked, it has long been a matter of wonder and perplexity to me to find out, why and how men should conceive, that I had wrote with an intent to debauch the nation, and promote all manner of vice: and it was a great while before I could derive the charge from any thing, but wilful mistake and premeditated malice. But since I have seen, that men could be serious in apprehending the increase of rogues and robberies, from the frequent representations of the Beggar’s Opera, I am persuaded, that there really are such wrongheads in the world, as will fancy vices to be encouraged, when they see them exposed. To the same perverseness of judgment it must have been owing, that some of my adversaries were highly incensed with me, for having owned, in the Vindication, that hitherto I had not been able to conquer my vanity, as well as I could have wished. From their censure it is manifest, that they must have imagined, that to complain of a frailty, was the same as to brag of it. But if these angry gentlemen had been less blinded with passion, or seen with better eyes, they would easily have perceived, unless they were too well pleased with their pride, that to have made the same confession themselves, they wanted nothing but sincerity. Whoever boasts of his vanity, and at the same time shows his arrogance, is unpardonable. But when we hear a man complain of an infirmity, and his want of power entirely to cure it, whilst he suffers no symptoms of it to appear, that we could justly upbraid him with, we are so far from being offended, that we are pleased with the ingenuity, and applaud his candour; and when such an author takes no greater liberties with his readers, than what is usual in the same manner of writing, and owns that to be the result of vanity, which others tell a thousand lies about, his confession is a compliment, and the frankness of it ought not to be looked upon otherwise, than as a civility to the public, a condescension he was not obliged to make. It is not in feeling the passions, or in being affected with the frailties of nature, that vice consists; but in indulging and obeying the call of them, contrary to the dictates of reason. Whoever pays great deference to his readers, respectfully submitting himself to their judgment, and tells them at the same time, that he is entirely destitute of pride; whoever, I say, does this, spoils his compliment whilst he is making of it: for it is no better than bragging, that it costs him nothing. Persons of taste, and the least delicacy, can be but little affected with a man’s modesty, of whom they are sure, that he is wholly void of pride within: the absence of the one makes the virtue of the other cease; at least the merit of it is not greater than that of chastity in an eunuch, or humility in a beggar. What glory would it be to the memory of Cato, that he refused to touch the water that was brought him, if it was not supposed that he was very thirsty when he did it?
The reader will find, that in this second part I have endeavoured to illustrate and explain several things, that were obscure and only hinted at in the first.
Whilst I was forming this design, I found, on the one hand, that, as to myself, the easiest way of executing it, would be by dialogue; but I knew, on the other, that to discuss opinions, and manage controversies, it is counted the most unfair manner of writing. When partial men have a mind to demolish an adversary, and triumph over him with little expence, it has long been a frequent practice to attack him with dialogues, in which the champion, who is to lose the battle, appears at the very beginning of the engagement, to be the victim that is to be sacrificed, and seldom makes a better figure than cocks on Shrove-Tuesday, that receive blows, but return none, and are visibly set up on purpose to be knocked down. That this is to be said against dialogues, is certainly true; but it is as true, that there is no other manner of writing, by which greater reputation has been obtained. Those, who have most excelled all others in it, were the two most famous authors of all antiquity, Plato and Cicero: the one wrote almost all his philosophical works in dialogues, and the other has left us nothing else. It is evident, then, that the fault of those, who have not succeeded in dialogues; was in the management, and not in the manner of writing; and that nothing but the ill use that has been made of it, could ever have brought it into disrepute. The reason why Plato preferred dialogues to any other manner of writing, he said, was, that things thereby might look, as if they were acted, rather than told: the same was afterwards given by Cicero in the same words, rendered into his own language. The greatest objection that in reality lies against it, is the difficulty there is in writing them well. The chief of Plato’s interlocutors was always his master Socrates, who every where maintains his character with great dignity; but it would have been impossible to have made such an extraordinary person speak like himself on so many emergencies, if Plato had not been as great a man as Socrates.
Cicero, who studied nothing more than to imitate Plato, introduced in his dialogues some of the greatest men in Rome, his contemporaries, that were known to be of different opinions, and made them maintain and defend every one his own sentiments, as strenuously, and in as lively a manner, as they could possibly have done themselves; and in reading his dialogues a man may easily imagine himself to be in company with several learned men of different tastes and studies. But to do this, a man must have Cicero’s capacity. Lucian likewise, and several others among the ancients, chose for their speakers, persons of known characters. That this interests and engages the reader more than strange names, is undeniable; but then, when the personages fall short of those characters, it plainly shows, that the author undertook what he was not able to execute. To avoid this inconveniency, most dialogue-writers among the moderns, have made use of fictitious names, which they either invented themselves or borrowed of others. These are, generally speaking, judicious compounds, taken from the Greek, that serve for short characters of the imaginary persons they are given to, denoting either the party they side with, or what it is they love or hate. But of all these happy compounds, there is not one that has appeared equally charming to so many authors of different views and talents, as Philalethes; a plain demonstration of the great regard mankind generally have to truth. There has not been a paper-war of note, these two hundred years, in which both parties, at one time or other, have not made use of this victorious champion; who, which side soever he has fought on, has hitherto, like Dryden’s Almanzor, been conqueror, and constantly carried all before him. But, as by this means the event of the battle must always be known, as soon as the combatants are named, and before a blow is struck; and as all men are not equally peaceable in their dispositions, many readers have complained, that they had not sport enough for their money, and that knowing so much before hand, spoiled all their diversion. This humour having prevailed for some time, authors are grown less solicitous about the names of the personages they introduce. This careless way, seeming to me at least as reasonable as any other, I have followed; and had no other meaning by the names I have given my interlocutors, than to distinguish them, without the least regard to the derivation of words, or any thing relating to the etymology of them: all the care I have taken about them, that I know of, is, that the pronunciation of them should not be harsh, nor the sounds offensive.
But though the names I have chosen are feigned, and the circumstances of the persons fictitious, the characters themselves are real, and as faithfully copied from nature as I have been able to take them. I have known critics find fault with play-wrights for annexing short characters to the names they gave the persons of the drama; alleging, that it is forestalling their pleasure, and that whatever the actors are represented to be, they want no monitor, and are wise enough to find it out themselves. But I could never approve of this censure: there is a satisfaction, I think, in knowing one’s company; and when I am to converse with people for a considerable time, I desire to be well acquainted with them, and the sooner the better. It is for this reason, I thought it proper to give the reader some account of the persons that are to entertain him. As they are supposed to be people of quality, I beg leave, before I come to particulars, to premise some things concerning the beau monde in general; which, though most people perhaps know them every body does not always attend to. Among the fashionable part of mankind throughout Christendom, there are, in all countries, persons, who, though they feel a just abhorrence to atheism and professed infidelity, yet have very little religion, and are scarce half-believers, when their lives come to be looked into, and their sentiments examined. What is chiefly aimed at in a refined education, is to procure as much ease and pleasure upon earth, as that can afford: therefore men are first instructed in all the various arts of rendering their behaviour agreeable to others, with the least disturbance to themselves. Secondly, they are imbued with the knowledge of all the elegant comforts of life, as well as the lessons of human prudence, to avoid pain and trouble, in order to enjoy as much of the world, and with as little opposition, as it is possible. Whilst thus men study their own private interest, in assisting each other to promote and increase the pleasures of life in general, they find by experience, that to compass those ends, every thing ought to be banished from conversation, that can have the least tendency of making others uneasy; and to reproach men with their faults or imperfections, neglects or omissions, or to put them in mind of their duty, are offices that none are allowed to take upon them, but parents or professed masters and tutors; nor even they before company: but to reprove and pretend to teach others, we have no authority over, is ill manners, even in a clergyman out of the pulpit; nor is he there to talk magisterially, or ever to mention things, that are melancholy or dismal, if he should pass for a polite preacher: but whatever we may vouchsafe to hear at church, neither the certainty of a future state, nor the necessity of repentance, nor any thing else relating to the essentials of Christianity, are ever to be talked of when we are out of it, among the beau monde, upon any account whatever. The subject is not diverting: besides, every body is supposed to know those things, and to take care accordingly; nay, it is unmannerly to think otherwise. The decency in fashion being the chief, if not the only, rule, all modish people walk by, not a few of them go to church, and receive the sacrament, from the same principle that obliges them to pay visits to one another, and now and then to make an entertainment. But as the greatest care of the beau monde is to be agreeable, and appear well-bred, so most of them take particular care, and many against their consciences, not to seem burdened with more religion than it is fashionable to have, for fear of being thought to be either hypocrites or bigots.
Virtue, however, is a very fashionable word, and some of the most luxurious are extremely fond of the amiable sound; though they mean nothing by it, but a great veneration for whatever is courtly or sublime, and an equal aversion to every thing that is vulgar or unbecoming. They seem to imagine, that it chiefly consists in a strict compliance to the rules of politeness, and all the laws of honour, that have any regard to the respect that is due to themselves. It is the existence of this virtue, that is often maintained with so much pomp of words, and for the eternity of which so many champions are ready to take up arms: whilst the votaries of it deny themselves no pleasure, they can enjoy, either fashionably or in secret, and, instead of sacrificing the heart to the love of real virtue, can only condescend to abandon the outward deformity of vice, for the satisfaction they receive from appearing to be well-bred. It is counted ridiculous for men to commit violence upon themselves, or to maintain, that virtue requires self-denial: all court philosophers are agreed, that nothing can be lovely or desirable, that is mortifying or uneasy. A civil behaviour among the fair in public, and a deportment inoffensive both in words and actions, is all the chastity the polite world requires in men. What liberties soever a man gives himself in private, his reputation shall never suffer, whilst he conceals his amours from all those that are not unmannerly inquisitive, and takes care that nothing criminal can ever be proved upon him. Si non caste, saltem caute, is a precept that sufficiently shows what every body expects; and though incontinence is owned to be a sin, yet never to have been guilty of it is a character which most single men under thirty would not be fond of, even amongst modest women.
As the world everywhere, in compliment itself, desires to be counted really virtuous, so bare-faced vices, and all trespasses committed in sight of it, are heinous and unpardonable. To see a man drunk in the open street, or any serious assembly at noon-day, is shocking; because it is a violation of the laws of decency, and plainly shows a want of respect, and neglect of duty, which every body is supposed to owe to the public. Men of mean circumstances likewise may be blamed for spending more time or money in drinking, than they can afford; but when these and all worldly considerations are out of the question, drunkenness itself, as it is a sin, an offence to Heaven, is seldom censured; and no man of fortune scruples to own, that he was at such a time in such a company, where they drank very hard. Where nothing is committed, that is either beastly, or otherwise extravagant, societies, that meet on purpose to drink and be merry, reckon their manner of passing away the time as innocent as any other, though most days in the year they spend five or six hours of the four and twenty in that diversion. No man had ever the reputation of being a good companion, that would never drink to excess; and if a man’s constitution be so strong, or himself so cautious, that the dose he takes overnight, never disorders him the next day, the worst that shall be said of him, is, that he loves his bottle with moderation: though every night constantly he makes drinking his pastime, and hardly ever goes to bed entirely sober.