BURGESS. Then wot is he? (Sarcastically.) A nobleman, I 'spose.

CANDIDA (delighted—nodding). Yes. His uncle's a peer—a real live earl.

BURGESS (not daring to believe such good news). No!

CANDIDA. Yes. He had a seven day bill for 55 pounds in his pocket when James found him on the Embankment. He thought he couldn't get any money for it until the seven days were up; and he was too shy to ask for credit. Oh, he's a dear boy! We are very fond of him.

BURGESS (pretending to belittle the aristocracy, but with his eyes gleaming). Hm, I thort you wouldn't git a piorr's (peer's) nevvy visitin' in Victoria Park unless he were a bit of a flat. (Looking again at the picture.) Of course I don't 'old with that pictur, Candy; but still it's a 'igh class, fust rate work of art: I can see that. Be sure you hintroduce me to him, Candy. (He looks at his watch anxiously.) I can only stay about two minutes.

Morell comes back with Eugene, whom Burgess contemplates moist-eyed with enthusiasm. He is a strange, shy youth of eighteen, slight, effeminate, with a delicate childish voice, and a hunted, tormented expression and shrinking manner that show the painful sensitiveness that very swift and acute apprehensiveness produces in youth, before the character has grown to its full strength. Yet everything that his timidity and frailty suggests is contradicted by his face. He is miserably irresolute, does not know where to stand or what to do with his hands and feet, is afraid of Burgess, and would run away into solitude if he dared; but the very intensity with which he feels a perfectly commonplace position shows great nervous force, and his nostrils and mouth show a fiercely petulant wilfulness, as to the quality of which his great imaginative eyes and fine brow are reassuring. He is so entirely uncommon as to be almost unearthly; and to prosaic people there is something noxious in this unearthliness, just as to poetic people there is something angelic in it. His dress is anarchic. He wears an old blue serge jacket, unbuttoned over a woollen lawn tennis shirt, with a silk handkerchief for a cravat, trousers matching the jacket, and brown canvas shoes. In these garments he has apparently lain in the heather and waded through the waters; but there is no evidence of his having ever brushed them.

As he catches sight of a stranger on entering, he stops, and edges along the wall on the opposite side of the room.

MORELL (as he enters). Come along: you can spare us quarter of an hour, at all events. This is my father-in-law, Mr. Burgess—Mr. Marchbanks.

MARCHBANKS (nervously backing against the bookcase). Glad to meet you, sir.

BURGESS (crossing to him with great heartiness, whilst Morell joins Candida at the fire). Glad to meet YOU, I'm shore, Mr. Morchbanks. (Forcing him to shake hands.) 'Ow do you find yoreself this weather? 'Ope you ain't lettin' James put no foolish ideas into your 'ed?