GUNN. Oh, shut up, Bannal. This crude medieval psychology of heart and brain—Shakespear would have called it liver and wits—is really schoolboyish. Surely weve had enough of second-hand Schopenhauer. Even such a played-out old back number as Ibsen would have been ashamed of it. Heart and brain, indeed!

VAUGHAN. You have neither one nor the other, Gunn. Youre decadent.

GUNN. Decadent! How I love that early Victorian word!

VAUGHAN. Well, at all events, you cant deny that the characters in this play were quite distinguishable from one another. That proves it's not by Shaw, because all Shaw's characters are himself: mere puppets stuck up to spout Shaw. It's only the actors that make them seem different.

BANNAL. There can be no doubt of that: everybody knows it. But Shaw doesnt write his plays as plays. All he wants to do is to insult everybody all round and set us talking about him.

TROTTER. [wearily] And naturally, here we are all talking about him. For heaven's sake, let us change the subject.

VAUGHAN. Still, my articles about Shaw—

GUNN. Oh, stow it, Vaughan. Drop it. What Ive always told you about Shaw is—

BANNAL. There you go, Shaw, Shaw, Shaw! Do chuck it. If you want to know my opinion about Shaw—

TROTTER. | No, please, we dont. |
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VAUGHAN. | Shut your head, Bannal. | [yelling]
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GUNN. | Oh, do drop it. |