PREFACE
In introducing to the Public the present edition of this well known and affecting Tale,—the chef d'œuvre of its gifted author, the Publishers take occasion to say, that it affords them no little gratification, to apprise the numerous admirers of "Paul and Virginia," that the entire work of St. Pierre is now presented to them. All the previous editions have been disfigured by interpolations, and mutilated by numerous omissions and alterations, which have had the effect of reducing it from the rank of a Philosophical Tale, to the level of a mere story for children.
Of the merits of "Paul and Virginia," it is hardly necessary to utter a word; it tells its own story eloquently and impressively, and in a language simple, natural and true, it touches the common heart of the world. There are but few works that have obtained a greater degree of popularity, none are more deserving it; and the Publishers cannot therefore refrain from expressing a hope that their efforts in thus giving a faithful transcript of the work,—an acknowledged classic by the European world,—may be, in some degree, instrumental in awakening here, at home, a taste for those higher works of Fancy, which, while they seek to elevate and strengthen the understanding, instruct and purify the heart. It is in this character that the Tale of "Paul and Virginia" ranks pre-eminent. [Prepared from an edition published by Porter & Coates, Philadelphia, U.S.A.]
MEMOIR OF BERNARDIN DE ST. PIERRE
Love of Nature, that strong feeling of enthusiasm which leads to profound admiration of the whole works of creation, belongs, it may be presumed, to a certain peculiarity of organization, and has, no doubt, existed in different individuals from the beginning of the world. The old poets and philosophers, romance writers, and troubadours, had all looked upon Nature with observing and admiring eyes. They have most of them given incidentally charming pictures of spring, of the setting sun, of particular spots, and of favourite flowers.
There are few writers of note, of any country, or of any age, from whom quotations might not be made in proof of the love with which they regarded Nature. And this remark applies as much to religious and philosophic writers as to poets,—equally to Plato, St. François de Sales, Bacon, and Fenelon, as to Shakespeare, Racine, Calderon, or Burns; for from no really philosophic or religious doctrine can the love of the works of Nature be excluded.