I stepped farther up the vestibule towards a long door with a bevelled, oval, glass-panelled top. Evidently the door of the supper-room. From beyond it came the muffled crash and lilt of dance music that set my own foot tapping in time on the smooth floor. I looked through the glass panel that framed, as it were, the gayest of coloured moving pictures.
The big room was a sort of papier-maché Alhambra; all zigzaggy arches and gilded columns and decorations, towering above a spread of supper-tables. Silver and white napery were blushing to pink under the glow of rosy-shaded electric candles innumerable. Some chairs were turned up, waiting for parties. But there were plenty of people there already; a flower-bed of frocks, made more bright by the black-and-white border of the men's evening kit.
The ladies were all sitting on the wall seats; their cavaliers sat with chairs slewed round, watching three or four couples one-stepping among the tables to the music of that string band, in cream-and-gold uniforms, who were packed away in a Moorish niche at the top of the room.
I got a burst of louder, madder music as a waiter with a tray pushed through the swung door; a waft of warmer air, made up of the smells of coffee, of cigarettes, of hot food, and of those perfumes of which you catch a whiff if you pass down the Burlington Arcade—oppoponax, lilac, Russian violet, Phul-nana—all blended together into one tepid, overpowering whole, and, most penetrating, most unmistakable of all the scents; the trèfle incarnat.... It reminded me that Million would buy a great spray-bottle of mixed bouquet, and had drenched herself with it, heedless of my theory that a properly groomed woman needs very little added perfume.
But where was Miss Million, in the middle of the noise and feasting? Ah! There! I caught, in a cluster of other colours—green, white, rose, and gold—the unmistakable metaphorical shriek of the frock I'd begged her not to wear. "Me cerise evening one." There it was; and there were Million's sturdily built, rather square little shoulders, and her glossy black hair that I've learnt to do rather well. She was gazing about her with jewel-bright eyes and a flush on her cheeks that almost echoed the cherry-colour of her odious frock, and listening to the chatter of the golden-haired, sulphur-crested cockatoo, Vi Vassity; there she was; and there was the Jew they called Leo, and Lady Golightly-Long in a fantastic Oriental robe of sorts, and a cluster of others. There, too, towering above them all as he came steering his way across the room, and looking more like a magazine illustration than ever in evening-dress, was the Honourable James Burke.
I saw Million's mouth open widely to some lively greeting as he came up; they were all laughing and chattering together. But I didn't hear a word, of course. All was blent into an indistinguishable hubbub against the music. The loudest part of all seemed to be at a table next to Miss Million and her new friends. This other table was entertained by a vacuous young man with an eyeglass, who looked as if he'd already had quite as much Bubbley as was good for him. He laughed incessantly; wrangling with the waiter, calling to friends across the room.
As the Honourable Jim passed, this eyeglassed young man signalled wildly to him, and took up a paper "dart" into which he'd twisted his menu-card. He flung it—and missed.
It stuck in the hair of one of the girls who was dancing. And then there was a little gale of laughter and protests and calls, and the eyeglassed young man put two fingers in his mouth and whistled piercingly to Mr. Burke, who strode over to him, laughing, and cuffed him on the side of the head. Then they began a sort of mock fight, and a waiter came up and whispered and was pushed out of the way, and there was more laughter.
The attention of the room was caught by the two skirmishing, ragging young men. They were for the moment the centre of the whirl and swirl of colour and noise and rowdy laughter.
"There you are, Miss Lovelace. You see the kind of thing it is," said an austere voice behind me. I turned from the gay picture to a gloomy one—the face of Mr. Reginald Brace, more than ever that of a young Puritan soldier—a Roundhead, in fact—left over from the Reformation, and looking on at some feasting of the courtiers of Charles II. So far, I hadn't see anything very terrible in the giddy scene before us; it was loud, it was rowdy, rather silly, perhaps, but quite amusing (I thought) to watch!