If, while the disk is rotating rapidly, a tube is held over the outside row and air is blown through the tube, a sustained musical tone will be heard. If, however, the tube is held, during the rotation of the disk, over the inner row of unequally spaced holes, the musical tone disappears, and a series of noises take its place. In the first case, the separate puffs of air followed each other regularly and blended into one tone; in the second case, the separate puffs of air followed each other at uncertain and irregular intervals and the result was noise.
Sound possesses a musical quality only when the waves or pulses follow each other at absolutely regular intervals.
262. The Effect of the Rapidity of Motion on the Musical Tone Produced. If the disk is rotated so slowly that less than about 16 puffs are produced in one second, only separate puffs are heard, and a musical tone is lacking; if, on the other hand, the disk is rotated in such a way that 16 puffs or more are produced in one second, the separate puffs will blend together to produce a continuous musical note of very low pitch. If the speed of the disk is increased so that the puffs become more frequent, the pitch of the resulting note rises; and at very high speeds the notes produced become so shrill and piercing as to be disagreeable to the ear. If the speed of the disk is lessened, the pitch falls correspondingly; and if the speed again becomes so low that less than 16 puffs are formed per second, the sustained sound disappears and a series of intermittent noises is produced.
263. The Pitch of a Note. By means of an apparatus called the siren, it is possible to calculate the number of vibrations producing any given musical note, such, for example, as middle C on the piano. If air is forced continuously against the disk as it rotates, a series of puffs will be heard (Fig. 177).
If the disk turns fast enough, the puffs blend into a musical sound, whose pitch rises higher and higher as the disk moves faster and faster, and produces more and more puffs each second.
FIG. 177.—A siren.
The instrument is so constructed that clockwork at the top registers the number of revolutions made by the disk in one second. The number of holes in the disk multiplied by the number of revolutions a second gives the number of puffs of air produced in one second. If we wish to find the number of vibrations which correspond to middle C on the piano, we increase the speed of the disk until the note given forth by the siren agrees with middle C as sounded on the piano, as nearly as the ear can judge; we then calculate the number of puffs of air which took place each second at that particular speed of the disk. In this way we find that middle C is due to about 256 vibrations per second; that is, a piano string must vibrate 256 times per second in order for the resultant note to be of pitch middle C. In a similar manner we determine the following frequencies:—
| do | re | mi | fa | sol | la | si | do |
| C | D | E | F | G | A | B | C |
| 256 | 288 | 320 | 341 | 384 | 427 | 480 | 512 |
The pitch of pianos, from the lowest bass note to the very highest treble, varies from 27 to about 3500 vibrations per second. No human voice, however, has so great a range of tone; the highest soprano notes of women correspond to but 1000 vibrations a second, and the deepest bass of men falls but to 80 vibrations a second.