You often wonder at my mobility of temper, my flexible character. What would become of me without this power of self-distraction? You know all in my life, and you ought to understand that but for that happy turn of mind which makes me quickly forget a sorrow, I should be disagreeable and perpetually withdrawn into myself, useless to others, insensible to their affection.

The distance between herself and her husband had, indeed, been widening until now the sole real link between them was their joint love for the children. No pretence of mutual affection existed any longer. Madame Dudevant's feeling seems to have been of indifference merely; M. Dudevant's of dislike, mingled, probably, with a little fear. It appears that he committed to paper his sentiments on the subject, and that this document, ostensibly intended by him not to be opened till after his death, was found and perused by his wife. It was the provocation thus occasioned her, and the certainty thus acquired of her husband's aversion to her society, that brought matters to a climax; so, at least, she asserted in the heat of the moment. But nothing, we imagine, could long have deferred her next step, strange and venturesome though it was. Violent in acting on a determination when taken, after the manner, as she observes, of those whose determinations are slow in forming, she declared her intentions to her husband, and obtained his consent to her plan.

According to this singular arrangement she was to be permitted to spend every alternate three months in Paris, where she proposed to try her fortune with her pen. She looked forward to having her little girl to be there with her as soon as she was comfortably settled, supposing the experiment to succeed. For half the year she would continue to reside, as hitherto, at Nohant, so as not to be long separated from her son, who was old enough to miss her, and to part from whom, on any terms, cost her dear. But he was to be sent to school in two years, and for the meantime she had secured for him the care and services of M. Boucoiran, whom she thoroughly trusted.

Her husband was to allow her £120 a year out of her fortune, and on condition that the allowance should not be exceeded, he left her at liberty to get on as she chose, abstaining from further interference.

It seems obvious that this compromise, whilst postponing, could only render more inevitable a future separation on less amicable terms, though neither appear to have realized it at the time. Madame Dudevant can have had no motive to blind her in the matter beyond her desire, in detaching herself from her present position, not to disconnect her life from that of her children. The freedom she demanded it was probably too late to deny. Those about her, her husband and M. Chatiron, who, with his family, was temporarily domesticated at Nohant, and who so far supported her as to offer her the loan of rooms held by him in Paris, for the first part of her stay, thought her resolution but a caprice. And viewed by the light of her subsequent success it is hard now to realize the boldness of an undertaking whose consequences, had it failed, must have been humiliating and disastrous. She had no practical knowledge of the world, had received no artistic training, and enjoyed none of the advantages of intellectual society. But she had extraordinary courage, spirit, and energy, springing no doubt from a latent sense of extraordinary powers, almost matured, though as yet but half-manifest. So much she knew of herself, and states modestly: "I had discovered that I could write quickly, easily, and for long at a time without fatigue; that my ideas, torpid in my brain, woke up and linked themselves together deductively in the flow of the pen; that in my life of seclusion, I had observed a good deal, and understood pretty well the characters I had chanced to come across, and that, consequently, I knew human nature well enough to describe it." A most moderate estimate, in which, however, she had yet to convince people that she was not self-deceived.

CHAPTER III.

DÉBUT IN LITERATURE.

In the first days of January 1831, the Rubicon was passed. The step, though momentous in any case to Madame Dudevant, was one whose ultimate consequences were by none less anticipated than by herself, when to town she came, still undecided whether her future destiny were to decorate screens and tea-caddies, or to write books, but resolved to give the literary career a trial.

For actual subsistence she had her small fixed allowance from home; for credentials she was furnished with an introduction or two to literary men from her friends in the country who had some appreciation, more or less vague, of her intellectual powers. Though courageous and determined, she was far from self-confident; she asked herself if she might not be mistaking a mere fancy for a faculty, and her first step was to seek the opinion of some experienced authority as to her talent and chances.

M. de Kératry, a popular novelist, to whom she was recommended, spoke his mind to her without restraint. It was to the crushing effect that a woman ought not to write at all. Her sex, Madame Dudevant was informed, can have no proper place in literature whatsoever. M. Delatouche, proprietor of the Figaro, poet and novelist besides, and cousin of her old and intimate friends the Duvernets, of La Châtre, was a shade more encouraging, even so far committing himself as to own that, if she would not let herself be disgusted by the struggles of a beginner, there might be a distant possibility for her of making some sixty pounds a year by her pen. Such specimens of her fiction as she submitted to him he condemned without appeal, but he encouraged her to persevere in trying to improve upon them, and advised her well in advising her to avoid imitation of any school or master, and fearlessly to follow her own bent.