Meantime Madame Dudevant, whose position at Nohant was that of a visitor merely, and becoming untenable, felt her hold on her cherished home and her children becoming more precarious day by day.

Some of her friends had strongly advised her to travel for a length of time, both as offering a mortal remedy, and as a temporary escape from the practical perplexities of the moment. Her rescue, however, was to be otherwise effected, and a number of new intellectual interests that sprang up for her at this time all tended to retain her in her own country.

It was in the course of this spring that she made the acquaintance of M. de Lamennais, introduced to her by their common friend, the composer, Franz Liszt. The famous author of the Paroles d'un Croyant had virtually severed himself from the Church of Rome by his recent publication of this little volume, pronounced by the Pope, "small in size, immense in perversity!" The eloquence of the poet-priest, and the doctrines of the anti-Catholic and humanitarian Christianity of which he came forward as the expounder, could not fail powerfully to impress her intelligence. Here seemed the harbor of refuge her half-wrecked faiths were seeking, and what the abbé's antagonists denounced as the "diabolical gospel of social science," came to her as the teachings of an angel of light. Christianity as preached by him was a sort of realization of the ideal religion of Aurore Dupin—faith divorced from superstition and the doctrine of Romish infallibility. Complete identity of sentiments between herself and the abbé was out of the question. But his was the right mind coming to her mind at the right moment, and exercised a healing influence over her troubled spirits. For Le Monde, a journal founded by him shortly after this time, she wrote the Lettres à Marcie, an unfinished series, treating of moral and spiritual problems and trials. Finally, the position M. de Lamennais had taken up as the apostle of the people further enlisted her sympathies in his cause, which made religious one with social reform, and amalgamated the protest against moral enslavement with the liberation-schemes then fermenting in young and generous minds all over Europe.

The belief in the possibility of their speedy realization was then wide-spread—a conviction that, as Heine puts it, some grand recipe for freedom and equality, invented, well drawn up, and inserted in the Moniteur, was all that was needed to secure those benefits for the world at large. If George Sand, led afterwards into searching for this empirical remedy for the wrongs and sufferings of the masses, believed the elixir to have been found in the establishment of popular sovereignty by universal suffrage, it was through the persuasive arguments of the leaders of the movement, with whom at this period she was first brought into personal relations. Her own unbiassed judgment, to which she reverted long years after, when she had seen these illusions perish sadly, was less sanguine in its prognostications for the immediate future, as appears in her own reflections in a letter of this time:—

What I see in the midst of the divergencies of all these reforming sects is a waste of generous sentiments and of noble thoughts, a tendency towards social amelioration, but an impossibility for the time to bring forth through the want of a head to that great body with a hundred hands, that tears itself to pieces, for not knowing what to attack. So far the struggles make only dust and noise. We have not yet come to the era that will construct new societies, and people them with perfected men.

She had recently been introduced to a political and legal celebrity of his day, the famous advocate Michel, of Bourges. He was then at the height of his reputation, which, won by his eloquent and successful defense of political prisoners on various occasions, was considerable. Madame Sand had been advised to consult him professionally about her business affairs, and for this purpose went over one day with some of her Berrichon friends to see him at Bourges. But the man of law had, it appears, been reading Lélia, and instead of talking of business with his distinguished client, dashed at once into politics, philosophy, and social science, overpowering his listeners with the strength of his oratory. His sentiments were those of extreme radicalism, and he carried on a little private propaganda in the country around. The force of his character seems to have spent itself in oratorical effort. He could preach revolution, but not suggest reform; denounce existing abuses, but do nothing towards the remodelling of social institutions; and in after years he failed, as so many leading men in his profession have failed, to make any impression as a speaker in Parliament. The author of Lélia was overwhelmed, if not all at once converted, by the tremendous rhetorical power of this singular man. She was a proselyte worth the trouble of making, and Michel was bent on drawing her more closely into active politics, with which hitherto she had occupied herself very little. He began a correspondence, writing her long epistles, the sum of which, she says, may thus be resumed:—"Your scepticism springs from personal unhappiness. Love is selfish. Extend this solicitude for a single individual to the whole human race." He certainly succeeded in inspiring her with a strong desire to share his passion for politics, his faith, his revivifying hopes of a speedy social renovation, his ambition to be one of its apostles. To Michel, under the sobriquet of "Everard," are addressed several of the Lettres d'un Voyageur of the spring and summer of 1835, letters which she defines as "a rapid analysis of a rapid conversion."

But Michel's work was a work of demolition only; and when his earnest disciple wanted new theories in place of the old forms so ruthlessly destroyed, he had none to offer. There were others, however, who could. She was soon to be put into communication with a number of the active workers for the republican cause throughout the country. They counted many of the best hearts and not the worst heads in France, and were naturally eager to enlist her energies on their side.

Foremost, by right of the influence exercised over her awhile by his writings, was the philosopher Pierre Leroux, with whom her acquaintance dates from this same year. In spite of the wide divergence between her pre-eminently artistic spirit and a mind of the rougher stamp of this born iconoclast, he was to indoctrinate her with many new opinions. His disinterested character won her admiration; he was a practical philanthropist as well as a critical thinker, one whose life and fighting power were devoted to promoting the good of the working classes to whom he belonged, having been brought up as a printer. He was regarded as the apostle of communism, as then understood, or rather not understood—for the form under which it suggested itself to the social reformers of the period in question was entirely indefinite.

Meantime the novelist's pen was far from idle. One or two pleasant glimpses she has given us into her manner of working belong to this year. In the summer the heat in her "poet's garret" becoming intolerable, she took refuge in a congenial solitude offered by the ground-floor apartments of the house, then in course of reconstruction, dismantled and untenanted. The works had been temporarily suspended, and Madame Sand took possession of the field abandoned by the builders and carpenters. The windows and doors opening into the garden had been taken away, and the place thus turned into an airy, cool retreat. Out of the apparatus of the workmen, left behind, she constructed her writing-establishment, and here, secure from interruption, denying herself to all visitors, never going out except to visit her children at their respective schools, she completed her novel with no companions but the spiders crawling over the planks, the mice running in and out of the corners, and the blackbirds hopping in from the garden; the deep sense of solitude enhanced by the roar of the city in the very heart of which she had thus voluntarily isolated herself.

As an artistic experience she found it refreshing, and repeated it more than once. Soon after, a friend offered her the loan of an empty house at Bourges, a town that had been suggested to her as a desirable place of residence, should the circumstances at Nohant ever force her to abandon it entirely. As a home she saw and disapproved of Bourges, but she thoroughly enjoyed a brief retreat spent there in an absolutely deserted, vine-covered dwelling, standing in a garden enclosed by stone walls. Her meals were handed in through a wicket. A few friends came to see her in the evenings. The days, and often the nights, she passed in study and meditation, shut up in the library reading Lavater, expatiating on her impressions of his theories in a letter addressed to Franz Liszt (inserted among the Lettres d'un Voyageur), or strolling in the flower garden—"forgotten," she tells us, "by the whole world, and plunged into oblivion of the actualities of my own existence."