"Well, the queen wanted to give me a treat. She would like to make the whole world happy; that's the way the saints must have been in the olden times. Well, as I said before, the queen wanted to give me a treat, because her husband came home well and hearty, and they're so fond of each other, and she wanted you and the child and mother to come and see me for one or two days, for she notices everything; she looks right into your heart, and I'm often homesick for you all. And when the queen talked about having you come, I said to her: 'That would be very nice, but it would cost a pretty penny,' and so I let her make me a present of the money, and we can make better use of it. You haven't the right sort of clothes, you know, and the people here might make fun of you. But with all that, I wouldn't have got the money, for that's nothing to her. She never thinks of such things. She's never counted money in all her life, and I really believe that she don't know how to reckon. The court paymaster attends to all that. Here there's an extra servant for everything--butlers and silver keepers and lots of others. But now my good countess is back again. She's been to see her father. They say he's a sort of a hermit who don't want to know anything of the world, and I must thank my countess that I got the money, for she knows how to manage everything. And so I send you the money. Put it out safely, and don't forget to take some of it to make a holiday for you and the child and grandmother.
"Ah, dear Hansei, the palace folk are not all saints and honest people, as I once used to think. Lots of thieving and deceit are carried on here. The father of my Mademoiselle Kramer is an honorable old man; he's the keeper of the castle here, and he's told me many things. But one can be honest everywhere, in the palace or in the cottage by the lake. And now, I beg of you dear Hansei--I always say 'dear Hansei,' whenever I think of you, and that's very often. It was only last night that I dreamt of you, but I won't tell you about that, because we oughtn't to believe in dreams. But write to me very soon and tell me how it goes with you; send me a good, long letter, and don't let the time seem long till we meet again; and always think as kindly of me as I do of you.
"Till death, your faithful Walpurga."
In spite of their entreaties, Hansei would not tell a word of what was in the letter; he went home quietly, and kissed his sleeping child. He felt happy that he could thus be at home again, and that his home did not reject him. A cold sweat came over him when he thought that he was sleeping in this bed, and of what a changed man he might have become. He stretched forth his hand toward his wife's bed and, in the silent night, kissed her pillow.
"Now I'm all right again," said he. He arose, struck a light, and removed the letter which he had put into his shoe. Then, cutting the passage, "until death, your faithful Walpurga," out of the letter last received, he loosened the inner sole, placed the little paper underneath it, and fastened the sole down again. After that, he soon fell into a sound sleep.
CHAPTER II.
"Your Majesty," said Countess Irma to the king one day, while walking on the veranda with him--the queen was in the music-room, practicing a classical composition with one of the court performers--"it is curious that, while absence lends additional charms and greater merit to some persons, there are others who are all the more perfect and interesting when one is in constant, daily intercourse with them. And yet, when away from such, it is almost impossible to remember them just as they are; and as to describing their character, or even their personal appearance, to one who is not acquainted with them--why, that is entirely out of the question. How do you account for it?"
"I must confess that I have never reflected on the subject," replied the king, "but it seems to me that the chief characteristic of the one class is an infinitude of small details; while with the other, one is struck by the general effect of the various traits that go to make up the character. Those whose character still presents an unsolved problem, and who thus give us more to think of, would seem to belong to the class to whom absence lends importance. Does it not seem so to you?"
"Certainly; but I might also say that the one class are more impressive and thus even in the present, seem like remote historical personages. Although they die, they yet remain--indeed, absence is a sort of death. The others however, only exist as long as they breathe, and only live for us as long as we breathe the same atmosphere with them."
"Can you name examples of such imposing historical personages, and also of ephemeral ones?"