He appeared suddenly to remember that it was not necessary to say this, and added with unusual haste,—
"Now come, and I will show you my special vanity. But let me ask you one thing; does it not seem dreadful to you, who are a philosopher, that we must leave all this, that we know we must die; and while everything around continues to grow green and bloom, he who planted and acquired the means to plant is here no more, but moulders in the dust?"
"I should not have believed that you indulged in such thoughts."
"You are right to answer so. You must not ask such questions, for no one knows their answer," said Sonnenkamp sharply and bitterly; "but one thing more. I wish Roland to understand rightly this creation of mine and to carry it on, for such a garden is not like a piece of sculpture, or any finished work of an artist; it is growing, and must be constantly renewed. And why should there not be granted us the certainty of transmitting to our posterity what we have conquered, created, or fashioned, without fear that strangers will at some time enter into possession and let all go to waste?"
"You believe," answered Eric, "that I know no answer to the first of your questions, and I must confess, that I do not quite understand the second."
"Well, well, perhaps we will talk of it again—perhaps not," Sonnenkamp broke off. "But come now and let me show you my special pride."
CHAPTER XI.
SONNENKAMP'S PRIDE.
They stepped immediately out of the shady, well-wooded park, whose margin was planted with noble white-pines, into a wonderful and complicated arrangement of orchard-trees, in a level field several acres in extent, that had a truly magical effect.
The plats were bordered with dwarf-apple and pear-trees that looked very much like small yews; their stems were hardly two feet in height, and the branches on each side so disposed on wires, that they extended to the width of thirty feet. These were now in full bloom the whole length, and the arrangement exhibited man's energetic and shaping volition, where nature was compelled to become a free work of art, and even warped into a dwarfish over-refinement. Trees of all imaginable geometrical forms were placed, sometimes in circles and sometimes in rows. Here was a tree that, from the bottom to the top which shot up into a sharp point, had only four branches at an even distance from each other, and directed to the four cardinal points. On the walls, trees were trained exactly in the shape of a candelabrum with two branches; others had stems and branches adjusted obliquely, like basaltic strata. All was according to artistic rules, and also in the most thriving condition.