He went immediately to his chamber, and wrote a letter to Count Wolfsgarten. He stated in plain words his state of mind at reaching his paternal home, in what condition he had found it and his mother, and finally he quoted to Clodwig his declaration,—
"I feel so much a friend to you, that I can allow myself to be placed under obligation by you."
Eric had written that he should feel no change towards Wolfsgarten, even if he refused his request. But feeling that this was not true, he tore up the letter and wrote another, leaving out this assurance. It was no trifling matter for Eric, the first time in his life, to present himself as a petitioner, yes,—he tormented himself with the word,—as a beggar.
Eric now spoke directly of his journey. His mother heard him through quietly, except that when Bella was mentioned, she said,—"Bella Pranken is a woman who cannot be counted on."
The old plans were discussed anew. Eric wanted to establish an educational institution, and his mother and aunt were strongly inclined to this, as they had many connections with the best families of the country; but they were not agreed whether they should have an institution for girls or for boys. Eric was in favor of the latter, as he could have more direct relations with that; but his mother wanted him to make a scientific journey for several years, so as to acquire a reputation at once by means of some great work, and not creep on in the plodding path. She and the aunt would, in the meanwhile, earn so much at the capital that Eric could live free from care.
They came to the conclusion to make no positive decision until Herr Sonnenkamp's letter should be received. The mother said that it would be the fulfilment of one of her ideals of life to take possession of the vine-covered little house; and she entertained a sanguine hope of attaining some influence over the lad surrounded by the dangers of riches; she should be glad to do so, as he was just the age of the son she had lost.
Eric visited his old teacher and friend, Professor Einsiedel, who was his chief instructor. He was a high-priest of science, a man who, engaged continually and exclusively in the region of pure thought, and in investigations for the extension of the sphere of knowledge, lived entirely alone, regular, methodical, systematic, free from all excitement, eating and drinking an incredibly small quantity, but always attracted by new developments of truth, always open-eyed to look into the widespreading realm of thought.
Professor Einsiedel had been a friend of Eric's father, and he always lamented that he, who was continually striving after the best and the perfect, had not accomplished the good, which is necessarily incomplete. His axiom was, that we must be contented with having made some small, individual contribution, and that this extends to become a part of the great whole. We never accomplish anything that gives us perfect satisfaction, and to which we have nothing more to add. Only of the Creator can it be said, that on ending his work. He saw that it was good. The absolute mind can alone effect that the created existence shall correspond to the creative thought, the actual to the ideal; the finite mind must always have over it the idea of what it can do, and what it ought to do.
Whenever Eric came to the professor with any scientific inquiry, he received at once direction as to the best and most direct sources of information; he would even, with the greatest disinterestedness, place at the disposal of every one his own carefully prepared notes. It was the same to him whether it were published under his own name or under that of another person, provided it went forth to the world.
In the professor's study was a picture by Rembrandt, a small copper-plate engraving, which was almost a portrait of the professor himself. It represented Faust in his night-cap, gazing at the magic circle illuminated by its own light. Faust is an old, wizzled-up little man, sorely in need of the rejuvenating draught. Professor Einsiedel had no such magic potion, but he drank new life, every day, from the ancient classics.