The young salesman looks at him inquiringly, Pranken nods and says:—
"You can show me everything."
And then the hidden treasures of the establishment are shown to him; he does not take anything, however, but says that he will make a purchase some other time, and goes off with his trifle.
No, it is only for a jest, for a farewell. He wishes simply to ask little Nelly what people are saying of him; he is vexed at his being troubled about the matter, and still he is tempted to make the inquiry.
He is not aware that he has rung—he goes up-stairs—he feels for the key in his pocket—he has quite forgotten that he hasn't one any more.
The door is opened, the maid looks at him with astonishment. Nobody is in. A lamp of pale red glass is burning in the balcony room; the little alabaster statue is smiling; Pranken has another lamp brought to him; he will wait. He looks through the rooms, he recognizes the chairs, the sofas, everything is still as he had arranged it.
A perfume strange to him pervades the room; it must be the fashion now,—one always falls a little behind the times in the country.
The clock of the cathedral strikes, the theatre performances must be over. On the table lie photograph albums; Pranken looks through them, he searches for his own picture; it is no longer there, but there are other faces that he does not know. He shuts the albums.
There is a book lying on the table, too; flowers culled from the German poets "for women by a woman's hand." Pranken begins to read it. They are strange beings, these poets! He stands up by the fireplace, glowing coals are sparkling in it; but really there was no fire-place, and no glowing coals; for they never burned, but were always piled up in that way; fire-place and coals were only an elegant ornament of the room.
The cathedral clock strikes again; still no one comes. At length Pranken takes out his card, and leaves it on the bouquet which the alabaster statue holds in its hand; he leaves the place. It is better so. You have acted bravely, as you meant to do—of course.