Lalanté.
Riding slowly home Wyvern’s thoughts took on no more cheerful a vein as he looked round upon his farm, which would soon be his no longer. It never ought to have been his at all. He had started by paying far too much for it. He had been struck by the pleasant situation of the place, and was determined to have it at all costs. Further, it was bad veldt, being, in stock-farming parlance, “boer-ed out,” that is to say exhausted. It required years of rest what time he took it up, but Wyvern started about three thousand sheep upon it, and contentedly, though unconsciously, prepared to watch their decimation. It came. He had put his little all into the venture, and now his little all was fast approaching vanishing point.
He reached home, off-saddled his horse, and turned the animal loose into an enclosure. By the time he had done so, and entered the house, the episode of the sheep “slaag-ing” had almost faded from his mind. The excitement of the discovery and the struggle past now, in the light of more serious matter the incident seemed of small importance.
You might read something of Wyvern’s temperament in the state of his living room. Take the large table, for instance. It was littered with books and papers covering quite two thirds of its space, a careless heap, which gradually encroaching more and more had caused his old Hottentot cook, and general indoor factotum, to ask grumblingly and repeatedly how she was to find room to lay the cloth for the Baas’ dinner, with all that rubbish blocking up the whole table. There were letters lying there too, letters unopened, which might have so remained for a couple of days or a week. Wyvern knew or guessed what they were all about: nothing pleasant, that was certain. Why then, should he bother himself? He would wait till he was more in the vein. But somehow “the vein” would be long in coming, and even unpleasant letters, especially those of a business nature, do not improve—like cigars—by keeping. Still—that was Wyvern.
Even the pictures on the walls, mostly framed photographs, were more or less hung anyhow, while some were slipping out of their mounts. Of one, however, none of this held good, and this was hung so that it faced him where he sat at table.
It was the photograph of a girl—and a very handsome girl at that. The eyes, large and clear, seemed to follow the inmate’s every movement in all parts of the room, while a generously moulded figure was set forth in the three parts length of the portrait. In the firm, erect pose there was strength, decisiveness, even a suggestion of unconventionality perhaps. At this he gazed, with a murmured expression of ardent love, as he dropped into his seat, and the look of weariful dejection deepened upon his face.
“You, too, lost to me,” he murmured. “You, too, passing from me. What an utter, infernal mess I’ve made of things. I’ve a good mind to end it all. It might even come to that some day.”
His glance had gone round to an object in the further corner. It was a shot-gun standing upright against the wall. He eyed it, gloomily. Just then a door opened, and to the accompaniment of a clatter of plates and things his Hottentot cook entered, bearing a tray. At her Wyvern glanced resentfully.
“I don’t want that stuff,” he said. “Take it away again.”
“Oh, goeije! and it is the Baas’ dinner,” exclaimed the old woman.