And now it seems that the whole room is full of shadowy, hairy shapes, like that which holds her in its demoniacal spell, that the dim darkness is astir with writhing tentacular legs, and they are closing round something—the pale countenance of a sleeping man. There is the glare of blood in their eager eyes, and oh, Heaven! the face of each crawling horror is a human one, dark, savage, bloodthirsty. And he?—Oh, God! oh, God! The countenance of him who now sleeps there, ready for their blood-drinking fangs, is that of her absent lover! She can almost touch him, yet the terrible spell upon her holds her bound. Horror of horrors! she must snatch him again from this grisly peril or he is lost. Too late! too late! no, not yet too late—one moment will do it! This chain that holds her, can she not break it? If she is powerless to touch him, still can she cry aloud in warning? No, she cannot. The gnome-like fiend crouching there has power over every faculty she possesses. Now these appalling shapes are upon the sleeping man, and now their eyes dart fire as from flaming torches. They seem to burn him, for he moves uneasily. Will he not wake? will he not wake? Too late! Then by some means the spell is broken, and with a wild, ringing, piercing cry, she utters aloud her lover’s name in a clarion call of warning, and adjuration, and despair.


“Mona, what is it? Mona! Mona! What in the world is the matter? Good heavens!”

And Grace Suffield, startled from her bed by the loud ringing cry, stands, candle in hand, within her cousin’s room, shaking with apprehension and alarm. And small blame to her.

For Mona is standing at the open window. The shutters are thrown back, and her tall, white-clad form, half shrouded in her streaming hair, is framed against the oblong patch of bright stars. And she is gazing out upon the midnight waste, with eyes dilated in a wild, wistful, anguished look, as though she were striving to pierce the darkness and distance, and would give her life for the power to do so. It was a weird sight, and chilled Grace Suffield with an eerie and awesome creep, for it was evident that, in spite of her erect attitude and open eyes, Mona was not awake.

What was she to do? Mona had never been given to sleep-walking. Some appalling and powerful dream must have disturbed her. To wake her might be dangerous—the shock would be too great. But in this dilemma Mona turned round suddenly, and her eyes catching the glare of the light, she shut them. Then passing her hand over them two or three times she opened them once more—and beyond a slight start no sign was there that this was other than an ordinary awakening.

“Is that you, Grace!” she said wonderingly. “Why, what’s wrong? Any of the children ill?”

“No, dear. But you—I thought I heard you call for something.”

Thick and clear the waves of recollection flowed back upon Mona’s mind. She started, shuddered, and again that scared look came into her eyes, but she quickly recovered herself.