The Wag of a Dog’s Tail.
Wandsborough at the period of our story was what might be called an out-of-the-way place. The nearest railway station was fully three miles off, and even that only found itself on a branch line. It would be difficult to account for the existence of the little old town, but that at one time it rejoiced in manufactures of its own, and did a steady trade. Then the tide turned. Foreign products ruled the market, to the exclusion of Wandsborough goods. Factories closed; the stir and bustle of labour became a thing of the past; and the place was given over to a sleepy and respectable quietude.
From the point of view of those who love the latter, Wandsborough was extremely lucky in its remoteness, being almost unknown to tourist and holiday maker. Lucky, too, in having so far escaped the speculator’s eye; for though more than a mile from the sea, it was near enough, and possessed attractions enough, to warrant its transformation into that foretaste of eternal punishment, a British watering-place—nigger minstrels, shrimps, donkeys, barrel organs, yahoos, and all. Its country walks were of the loveliest, whether you climbed the heather- and gorse-clad uplands, and drinking in the salt breeze, turned to look back upon the little town, with its red roofs and tall spire, nestling in a green hollow, while on your other hand, far beneath, danced and sparkled the summer sea; or whether, turning your steps inland, you strolled through shady lanes where the ferns and wild geraniums grew amid fresh cool moss, and little brown wrens hopped warily from frond to frond beneath the shade of a miniature scaur. Or if seaward bent, what a wild, picturesque, ever varying coast was there for you to explore!
Down one of the ways leading thither comes Olive Ingelow. It is a warm morning, almost too warm to be comfortable anywhere out of the shade, although the distant steeple is only chiming a quarter to ten; but one side of the road is overshadowed by tall elms, and beneath these the girl gracefully walks. She makes a very lovely picture, the lithe figure in its cool morning dress moving with the elastic step and ease of youth. A large light straw hat shades the delicate oval face, and the glance of her dark eyes wanders joyously over sunlit meadows where lambs are frisking among the buttercups. She carries a two-handled canvas basket, containing drawing materials, though, should she weary of reproducing Nature, yet another solace does the canvas basket contain, for is not that the corner of a novel peeping out? She is going to have a whole long morning all to herself on the seashore.
Leaving the road, she steps over a stile and strikes into a field path. Hot though it is in the open, there is a certain delight in the glowing warmth upon her cheeks. She wanders from the path and her dainty boots are powdered with yellow particles from the buttercups which her feet displace. It is a heavenly morning, she thinks; one to make her feel lovingly disposed towards all the world—but—oh! and the girl catches her breath in a spasm of alarm, suddenly remembering that this field is wont to be the abode of a certain grisly terror to the unwary pedestrian, in the shape of a remarkably large and vicious bull. A quick furtive glance round reassures her. The field is empty. But all the same her heart beats pretty fast until she is safe over the next stile, and she is conscious of a lingering, if insane, apprehension that the enemy may peradventure arise out of the earth.
Then the last field is left behind, and a stony bit of barren ground grown with patches of gorse dips to a steep, narrow, staircase-like way, whose rocky walls rise abrupt on either side. Descending this, Olive finds herself on the beach.
She is in a small semi-circular cove shut in by perpendicular cliffs. At quite low tide it is possible to approach or leave it by a narrow strip of shingle at either end, at other times it is only to be gained by the way down which she has come. Settling herself comfortably at the foot of one of the great rocks which lie scattered capriciously about the beach, Olive pauses to rest and recover herself before beginning to draw. The sea is like glass, now and then the merest breath rippling over it in shades of blue and silver and gold. Brown rocks, left bare by the receding tide, upheave their slippery backs, heavily festooned with seaweed, and the broad level sands lie wet and glistening in the sun. Now and then a large gull, stalking along the extreme edge of the uncovered shore, rises with a scream, and wings its way to the lofty recesses of the cliff. Yonder three or four sturdy bare-legged urchins are busily plying their shrimping nets, and gathering in much spoil from numerous clear pools gleaming amid the green brown rocks. And so still is the air that their voices and laughter are borne distinctly to Olive’s ears, though mellowed by distance.
She begins to investigate the contents of her basket. Nothing is left behind? No—colour-box, block, palettes, brushes—all are there; not even the water-bottle forgotten. She will just throw off the upper end of the little bay, and bring in those two great turret-like rocks—whose bases are covered except at the very lowest of tides—and the rough, jagged headland, from which they seem to have broken loose and fled to take up a position of their own out in the midst of the sea. Comfortably ensconced in her snug position, for half an hour the girl is very busy. The outline of her sketch is drawn, and she is ruminating on the laws of perspective previous to the first wash of colour, when lo! another factor appears on the scene—another living thing within the silent and secluded cove. It is a dog.
Careering to and fro over the firm level sands, his snowy chest and ruff gleaming in the sun, and his silky brush streaming out like a flag, he keeps looking upward at the cliffs, uttering the while short joyous barks, as if to say to someone not yet in sight, “Aha—here I am—down first on this splendid beach. So come down after me as quickly as you can, for—it is fun?”
“Oh, what a love of a dog!” cries Olive, dropping her work to watch him. “Here—come here, you beauty—come and talk to me, and let’s have a look at you!”