About half way between Cranston and Wandsborough, but in the latter parish, and in an angle formed by the footpath across the fields with a deep lane, stands a cottage—one of those picturesque, snug-looking nests which you shall see in no other country in the world—thatched, diamond-paned, and a bit of half garden, half orchard in front, and a background of elder trees and high hawthorn bushes. But, for all its external picturesqueness, an exploration of the interior of this abode would reveal a very poverty-stricken state of things. There is a neglected look about everything, and the rooms, bare of all but a few worthless sticks of furniture—too worthless even for the bailiffs or the pawnshop, seem to point eloquently to the sort of person their occupier would be—shiftless, hang-dog, ne’er-do-well, and not unfrequently drunken. It is the abode of Stephen Devine, alias Gipsy Steve, whose acquaintance we have just made.
At the moment when that worthy learns his fate in the Wandsborough Sessions room, there stands in the doorway of his abode a girl. Her dress, appearance, and the rough dusting-cloth in her hand seem to show that she has paused in the commonplace but laudable occupation of tidying up, and is there at the door for a breath of fresh air and a look round; and her coarseness of garb and surroundings notwithstanding, the girl would assuredly attract from the passer-by no mere casual glance, for she is of striking and uncommon beauty. Her almost swarthy complexion ought by all rules to go with jetty locks and dark flashing eyes, but it does not. The masses of hair crowning her well-carried head are light brown, just falling short of golden, and harmonise wonderfully with the smooth tawny skin, and her eyes are large, limpid and blue. The mouth, too, is not the least beautiful feature—full, red and sensuous. She is a tall girl, of splendid build and proportions, and the light, closely-fitting gown displays a figure which would have commanded a fabulous price in the slave-markets of old, and the easy, restful, leaning attitude as she stands in the doorway defines the swelling lines of her finely moulded form. A magnificent animal truly, and withal a dangerous one. Such is Lizzie Devine, the poacher’s daughter.
The passer-by referred to above would assuredly pronounce her to be no ordinary cottage girl, and he would be right. She had not inhabited the humble abode where we find her more than a fortnight; for she had only just returned from what the neighbours vaguely termed “foreign parts,” which vagueness neither Lizzie nor her father were disposed to reduce to definition. Here she was, anyhow, beneath “Gipsy Steve’s” poverty-stricken and highly disreputable roof, and the neighbours looked at her askance, as in duty bound. For this did Lizzie care not one rush. Her movements and pursuits were as mysterious as the antecedents of her father. The gossips hate mystery—therefore, said the gossips, she must have been after no good. Some thought she had been “a play-actress,” some thought even worse. Some thought one thing, some another—but Lizzie didn’t care what they thought. Neither she nor Steve mixed with their neighbours—she from choice, he from necessity; for he was disliked and feared as a quarrelsome and dangerous man. One thing was certain, whatever occupation Lizzie had been pursuing, she had returned home with empty pockets, and this ought to have told in her favour, for the ways of evil are lucrative.
She stands in the doorway looking out over the sunlit fields, and her thoughts are chaotic. At first she wearily wonders whether her father will be discharged with a reprimand, and if not what she can pawn in order to pay his fine. Then her reflections fly off at a tangent. Away in the distance, the chimneys of Cranston Hall appear above the trees, and on these the girl’s clear blue eyes are fixed, while she indulges in a day-dream. Yet she is a hard, practical young party enough, for she is twenty-four, and has seen a very considerable slice of this habitable globe.
Suddenly her frame becomes rigid, and the blood surges to her face, then falls back, leaving it ashy pale. What has she spied to bring about this convulsion? Only a man, of course.
He is advancing along the field path with an easy swinging stride. As she gazes, a large red and white dog comes tearing over the further stile and scampers joyously past his master. The girl stands in a state of strange irresolution, her heart beating like a hammer. He has not seen her—one step inside and he will have passed by. But her chance of retreat is gone. While she is doubting, the man passes the gate, and as he does so looks carelessly up.
Roland Dorrien is not wont to exhibit wild surprise over anything, but the start which he gives as his eyes meet those of the girl before him, proves that his astonishment is genuine.
“Lizzie!”
“You don’t seem overmuch glad to see me anyhow,” says the girl in a hard tone, her self-possession now quite in hand again.
“I don’t know about ‘glad.’ But what on earth are you doing here, and where have you dropped from?” And his eye ran over her from head to foot, taking in her rough, though scrupulously clean, attire.