Chapter Two.
A Pioneer Farm.
The walls of the room were hung with dark blue “limbo,” which gave an impression of refreshing coolness and restful, subdued light, in grateful contrast to the hot, white glare outside. The furniture of the room was pre-eminently of the useful order, consisting of a plain ‘stinkwood’ table, three or four ditto chairs much the worse for wear, a sideboard consisting of two packing-cases knocked into one, a bookshelf, and a camp bedstead whereon now reclined the, at present, sole occupant and—in general—proprietor of the place.
He had been indulging in a siesta, which had run into hours. The naturally dark face was tanned a rich brown by the up-country sun and winds, and it was just the face that the up-country life would go to strengthen—with its firm eyes and square, determined chin. As now seen it was clear that the thoughts of its owner were not of a pleasant nature. Briefly, they might be summed up somewhat in this wise—
“Is that foolery destined to haunt me for the remainder of my natural life? I shut it down and turned my back on it more than a year ago—and yet, and yet, I can’t even take an afternoon snooze without dreaming all that idiocy over again.”
The jaded lassitude usually attendant on immediately awakening out of a day sleep to those who seldom indulge in one was upon this man. Moreover, the last vision of his dreams had been one of a lovely, reproachful face—a recollection of a bitter parting and love turned to hate; a rehearsal of the whole heart-breaking experience, reproduced with that vivid reality which a dream can infuse. All of which hardly conduced to a cheerful frame of mind.
“Wonder when Peters will be back,” ran on his reflections. “He said this evening. Peters is a most effectual antidote to the blues, and— By the way, there’s nothing much for skoff. I’d better take a look round ‘the poultry yard.’”
With a yawn he rose from the couch and stood upright. His erect, firmly-knit form was well set off by the prevailing costume of the country, namely, a light shirt, breeches and gaiters, and leather belt. He flung on the usual broad-brimmed cowboy hat, and, taking a gun and a handful of cartridges, stood in the doorway for a moment, looking forth.
The glare of the hot hours was already toning off into that exquisitely soft and mellow light, where afternoon merges into the African evening. He looked forth upon an expanse of park-like country, rolling away from his very door. Three or four great granite kopjes rose farther on, and, beyond these, a dark line, extending as far as the eye could reach, marked the margin of a vast forest tract. Taking a few steps forward he turned. Here an entirely different scene was before his gaze. Behind the rude house of plaster and thatch, from which he had just emerged, was a large circular enclosure, stockaded with mopani poles and thorny mimosa boughs, while another and smaller stockade, similarly constructed, enclosed several conical huts. He had laughed at his native servants when they had urged the necessity of building such a stockade. Lions? Hyenas? Why, no wild animal would venture inside a hut. Look at his own house. It was not stockaded. To which they had replied in true native fashion that that might be so. The Inkosi was a very great and powerful white man, but they were only poor helpless black men; and, moreover, that wild animals had been known to take people out of their huts. So he had laughed and let them have their way.
Such was Piers Lamont’s pioneer farm in Matabeleland. It had been granted him by reason of his services during the war of occupation in ’93, and he had sold it—for a song—when he wanted a run home. He had bought it back—very much on the same terms—a few months previously, on his return to the old up-country life.