A house thoroughly in keeping with its surroundings. A low one-storied building, with a thatched roof and walls of sun-baked brick. Just a plain parallelogram; no attempt at ornamentation, no verandah, not even a stoep. No trace of a garden either, for in this horrible desert of drought and aridity nothing will grow. Hard by stand the square stone kraals for the stock, and a little further on, where the level of the plain sinks into a slight depression, is an artificial dam, its liquid store at present reduced to a small patch of red and turgid water lying in the middle of a surrounding margin of dry flaky mud, baked into a criss-cross pattern of cracks, like a huge mosaic.
On a low, stony kopje, a few hundred yards distant from this uninviting homestead, sits its owner. Nobody but a Boer could dwell in such a place, would be the first thought succeeding that of wonder that any white man could be found to inhabit it at all. But a glance would suffice to show that he now sitting there is not a member of that dogged and pachydermatous race. The face is a fine—even a noble—one, whose features the bronzed and weatherworn results of a hard life have failed to roughen. A broad, lofty brow, and pensive dark eyes stamp their owner as a man of intellect and thought, while the peculiar curve of the well-formed nostrils betokens a sensitive and self-contained nature. The lower half of the face is hidden by a dark silky beard and moustache.
One brown, sinewy hand grasps a geologist’s hammer, with which it chips away listlessly at the ground. But, although the action is now purely mechanical, it is not always so, as we shall see if we use our story-teller’s privilege and dip into his inner thoughts. Briefly rendered, they run in this wise:
“Oh, this awful drought! When is it going to end? Not that it much matters, either way, now, for there’s hardly a sound hoof left on the place; and, even if a good rain did come, it would only finish off the whole fever-stricken lot. Well, I’ll have to clear out, that’s one consolation. I’ve held on as long as any man could, and now I’ll just have to go.”
His gaze wanders over the arid plain. Far away through the shimmer it rests on a multitude of white specks—a flock of Angora goats, striving in desperation to pick up what miserable subsistence it may.
“There’s nothing to be done with the place—nothing,” he muses, bringing his hammer down upon a boulder with a despairing whack. “It won’t sell even for an old song—no one will so much as touch land now, nor will they for a long time to come, and there isn’t a ‘stone’ (‘Diamond’ in digger parlance) on the whole farm, for I’ve dug and fossicked in every likely place, and unlikely one, too. No; I’ll shut up shop and get away. The few miserable brutes left are not worth looking after—not worth their brand ziek (Scab-affected) skins. Yet I’ll have one more search, one more crazy fool’s errand, after the ‘Valley of the Eye,’ before I trek. This ’ll make the fifth—but, no matter. One may as well make an ass of oneself five times as four. I can’t exactly believe old Greenway took all that trouble to dictate an infernal lie on his death-bed; and, if his yarn’s true, I’m a rich man for life—if I can only find the place, that is,” he adds bitterly. “And I’ve had four shies at it. Well, perhaps the fifth is going to be lucky.”
With which consoling reflection the thinker rises from his stony resting-place, revealing as he does so a tall, straight figure, admirably proportioned. Suddenly he starts, and a sallow paleness comes over the bronzed, handsome features. For he is conscious of a strange giddiness. A mist seems to float before his eyes, shutting out completely the glare of the burning veldt.
“Never that cursed up-country fever again?” he murmurs, to himself, in real alarm.
And for the latter there is reason—reason in the abnormal and unhealthy heat of the terrible drought—reason in his utter isolation, the vast distance between himself and a fellow-countryman—let alone such considerations as medical aid.
Recovering himself with an effort, he strolls on towards the house. There is no sign of life about the place as he approaches, unless a couple of miserable, fever-stricken sheep, panting and wheezing in the shade of the kraal wall, constitute such. But, dead and tomb-like as it looks outside, there is something refreshing in the coolness of the inner room as he enters. A rough tablecloth is laid, and a knife and fork. The walls are papered with pictures from illustrated prints, and are hung with swinging shelves containing a goodly number of books of all sorts. A few chairs and a couch, the latter much the worse for wear, constitute the furniture; and, on the whole, what with pipes, stray bits of saddlery, and miscellaneous odds and ends of every description, the place is about as untidy as the average bachelor abode is apt to be within the pale of civilisation, let alone away on the High Veldt. The floor is of hardened clay, and there is no ceiling—nothing between the inmate of the room and the bare and ragged thatch, one drawback to which arrangement being that a fine, lively tarantula will occasionally drop down upon the head or shoulder of the said inmate.