It is Sunday.
Ride we behind the horseman who is picking his way down a stony path through the ever present bush, making for yon thatched building down there in the hollow. A low, rough shanty, built in the roughest and readiest fashion, and of the rawest of red brick. Three windows, cobwebbed and cloudy with many a patched-up pane of blue or brown paper, admit light and air, and a door made to open in halves. A smaller edifice hard by, with tumble-down mud walls and in a state of more or less rooflessness, does duty as a stable, and in front of the two an open space slopes down a distance of one hundred and fifty yards to the river, whose limpid waters dash and sparkle over their stony bed, between cactus-lined banks—the stubbornly encroaching and well-nigh ineradicable prickly pear. Opposite rises a great cliff, whose base and sides are set in the greenest and most luxuriant of forest trees, but whose brow, like its stern face, is bare of foliage and stands out in hard relief against the sky. There seems no reason why this cliff should be there at all, seeing that the hill would have been far more symmetrical without it, unless in its wild irregularity it were destined for the purpose alone of giving a magnificent—if a trifle forbidding—frontage to the ill-looking and commonplace dwelling-house. On all sides the towering heights rise to the sky, shutting in this beautiful and romantic spot which might be a veritable Sleepy Hollow, so far does it seem from the sights and the sounds of men. But it must be confessed that its beauty and romance are utterly thrown away upon its present occupant, who is wont to describe the place as “a beastly stifling hole out of which I’d be only too glad to clear to-morrow, by Jove; but then one can’t chuck up the lease, you know, and it isn’t half a bad place for stock, too.” It rejoices in the inviting name of Spoek Krantz (Ghost Cliff), and is held in awe and terror as an unholy and demon-peopled locality by the superstitions natives, as well as by the scarcely less superstitious Boer; and gruesome tales are told of unearthly sights and sounds among the rocky caves at its base; shadowy shapes and strange fearful cries, and now and again mysterious fires are seen burning upon its ledges in the dead of night, while the most careful exploration the next morning has utterly failed to discover the smallest trace of footprint or cinder. Native tradition has stamped the spot as one to be avoided, for the spirit of a mighty wizard claims it as his resting-place. Even by day the place, shut in by its frowning heights, is lonely and forbidding of aspect.
But utterly impervious to supernatural terrors is he who now dwells in the haunted locality. The grim traditions of a savage race are to him as mere old wives’ fables, and he laughs to scorn all notion of any awesome associations whatever. He would just like to see a ghost, that was all, any and every night you pleased; if he didn’t make it lively for the spectral visitant with a bullet, call him a nigger. Yes, he would admit seeing strange lights on the cliff at times, and hearing strange sounds; but to ascribe them to supernatural agency struck him as utter bosh. The lights were caused by a moonlight reflection, or will-o’-the-wisps, or something of that sort; and the row, why, it was only some jackal yowling in the krantz, and as for getting in a funk about it, that would do for the niggers or white-livered Dutchmen, but not for him. Tradition said that there was a secret cavern in the cliff, but the entrance was known to very few even among the natives themselves, and only to their most redoubted magicians. Certain it is that no Kafir admitted knowledge of this, and when questioned carefully evaded the subject.
And now, as the horseman we have been following emerges from the bush on to the open space surrounding the low-roofed, thatched shanty, a man is seated in his shirt-sleeves on a stone in front of the door, intently watching something upon the ground. It is a large circular glass cover, such as might be used for placing over cheese or fruit; but to a very different use is it now being put. For imprisoned within it are two scorpions of differing species—a red one and a black one—hideous monsters, measuring five inches from their great lobster-like claws to the tip of their armed tails, and there they crouch, each upon one side of its glass prison-house, both, evidently, in that dubious state aptly known among schoolboys as “one’s funky, and t’other’s afraid.”
“Hold on a bit,” called out the man in the shirt sleeves, but without turning his head, as the trampling of hoofs behind him warned of the approach of a visitor, “or, at any rate, come up quietly.”
“Why, what in the name of all that’s blue have you got there?” demanded Hicks, dismounting; for he it is whom we have accompanied to this out-of-the-way spot. “Well, I’m blest?” he continued, going off into a roar of laughter as he approached near enough to see the other’s occupation.
“Tsh! tsh! Don’t make such an infernal row, man, you’ll spoil all the fun, and make me lose my bet.”
“What’s the bet?”
“Why, I’ve got five goats against that blue schimmel heifer of old Jafta’s on these two beggars, that the black one’ll polish off the red ’un; but they are to go at it of their own accord, and now I’ve been watching them for the last half-hour, but the beggars won’t fight,” replied the other, still without moving, or even so much as looking over his shoulder.
“Stir them up a bit,” suggested Hicks.