CHAPTER XIV.
A DREAM.
Under the shade of a large tree-fern a man is lying asleep.
Around the wilderness spreads in rolling undulation, open here for the most part, though dotted with clumps of bush and trees, which seem to have become detached from the dark line of forest. This, on the one hand, stretches away into endless blue; on the other a broad expanse of water—apparently a fine river, actually a chain of lagoons—with reed-fringed banks; and here and there a low spit, where red flamingoes roost lazily on one leg. Beyond this again lies an unbroken line of forest.
The man is arrayed in the simple costume of the wilderness—a calico shirt, and moleskin trousers protected by leather leggings. A broad-brimmed hat lies under his head, to which, indeed, it serves as sole pillow. He is heavily armed. The right hand still grips an Express rifle in mute suggestion of one accustomed to slumber in the midst of peril. A revolver in a holster rests beside him, and in his leathern belt is a strong sheath knife. Now and again he moves in his sleep, and at such times his unarmed hand seems instinctively to seek out something which is concealed from view, possibly something which is suspended round his neck by that light but strong chain. Thus hour after hour rolls over him, as he slumbers on in the burning equatorial heat.
The sleeper turns again uneasily, and as he does so his hand again seeks the steel chain just visible through his open shirt, and, instinctively working down it, closes over that which is secured thereto; then, as though the effect is lulling, once more he is still again, slumbering easily, peacefully.
The sun's rays, slanting now, dart in beneath the scanty shade of the tree-fern, and as they burn upon the dark face, bronzed and hardened by climate and toil, the sleeper's lips are moving, and a peculiarly soft and wistful expression seems to rest upon the firm features. Then his eyes open wide. For a moment he lies, staring up at the green fronds which afford shade no longer, then starts up into a sitting posture. And simultaneous with the movement here and there a faint circular ripple widens on the slimy surface of the lagoon, as each of those dark specks, representing the snout of a basking crocodile, vanishes.
Laurence Stanninghame's outward aspect has undergone some change since last we beheld it, now more than two years ago. The expression of the dark, firm face, burned and bronzed by an equatorial sun, heavily bearded too, has become hard and ruthless, and there is a quick alertness in the penetrating glance of the clear eyes which tells of an ever-present familiarity with peril. Even the movement of sitting up, of suddenly awakening from sleep, yet being wide awake in a moment, contains unconsciously more than a suggestion of this.