It is poetic imagination, not science, which presents Time as despotic lord of the world, with all the irresponsible frivolity of a child. It is mysticism, too, which leads Heraclitus to assert the identity of opposites: "Good and ill are one," he says; and again: "To God all things are fair and good and right, but men hold some things wrong and some right."
Much of mysticism underlies the ethics of Heraclitus. It is true that a scientific determinism alone might have inspired the statement: "Man's character is his fate"; but only a mystic would have said:
"Every beast is driven to the pasture with blows"; and again:
"It is hard to fight with one's heart's desire. Whatever it wishes to get, it purchases at the cost of soul"; and again:
"Wisdom is one thing. It is to know the thought by which all things are steered through all things."[1]
Examples might be multiplied, but those that have been given are enough to show the character of the man: the facts of science, as they appeared to him, fed the flame in his soul, and in its light he saw into the depths of the world by the reflection of his own dancing swiftly penetrating fire. In such a nature we see the true union of the mystic and the man of science—the highest eminence, as I think, that it is possible to achieve in the world of thought.
In Plato, the same twofold impulse exists, though the mystic impulse is distinctly the stronger of the two, and secures ultimate victory whenever the conflict is sharp. His description of the cave is the classical statement of belief in a knowledge and reality truer and more real than that of the senses:
"Imagine[2] a number of men living in an underground cavernous chamber, with an entrance open to the light, extending along the entire length of the cavern, in which they have been confined, from their childhood, with their legs and necks so shackled that they are obliged to sit still and look straight forwards, because their chains render it impossible for them to turn their heads round: and imagine a bright fire burning some way off, above and behind them, and an elevated roadway passing between the fire and the prisoners, with a low wall built along it, like the screens which conjurors put up in front of their audience, and above which they exhibit their wonders.
I have it, he replied.
Also figure to yourself a number of persons walking behind this wall, and carrying with them statues of men, and images of other animals, wrought in wood and stone and all kinds of materials, together with various other articles, which overtop the wall; and, as you might expect, let some of the passers-by be talking, and others silent.