It was hardly twilight when he wandered back along the main road towards the fields where his battalion was bivouacked. Full of the picture of the little woman who had bewitched him, he failed to notice the approach of an exceedingly smart young staff-officer, ablaze in a glory of red and brass. With unseeing eyes, Des Rosiers looked directly at the young gentleman, but failed to make any sign. The officer, fresh from a staff course in England, stopped him with a sharp command.
"Just a moment, my man. Don't you know enough to salute?"
Des Rosiers awoke from his dream, came to attention, and saluted very badly.
"I no see you, sair," he said.
"Don't lie to me," snapped Brass Hat (who wasn't a bad chap on the whole); "of course you saw me. Damn it, you looked right at me. It's fellows like you who give the corps a bad name."
He was wrong there. It was the presence of several thousand men like Des Rosiers that had given the Canadian Corps a wonderful name—but let that pass, as Jack Point would have said.
The element of tragedy seldom enters the lists of life with a fanfare of trumpets. It steals in unobtrusively, like a poor relation. It comes in the garb of the commonplace, or masked in triviality or gaiety. One is unaware of its presence until it throws off concealment and points its yellow fingers at the throat of its victims. What dramatist would have read tragedy into the absurd tableau presented by a slouchy French-Canadian soldier and a youthful staff-officer? Yet, as inexorable as Fate, it was approaching Jacque Des Rosiers, and only a few yards away, hiding its skeleton's grin behind the mundane countenance of Sergeant Smith, returning to the battalion after a day's work in the orderly room.
The officer, who had just made a move to resume his walk, noticed the sergeant, and called him over.
"You are from the same battalion as this chap?"
"Yes, sir."