'Where?'
'Anywheres, Mas'r Dick.'
'You mean—to escape?'
'Precisely so, sir.'
For a moment his pulses beat furiously with hope; but the realisation of what it meant for the old groom killed it like a sudden frost. 'No, Mathews,' he whispered. 'It isn't fair to you. I am not going to try to escape. Give me your hand; I want to say good-bye.'
For answer, the imperturbable Mathews moved off again, and, in a soft but most unmusical bass, sang the second verse about the amorous coachman and the susceptible turnkey's daughter. Dick listened, hanging greedily on every little sound with its atmosphere of Roselawn.
'Mas'r Dick.' Mathews had returned. 'No argifyin' won't get you nowhere. If I have to knock you atwixt the ears and drag you out by the 'eels, you're comin' out o' that there stall to-night. I ain't goin' for to see a Durwent made a target of. No, sir; not if I have to blow the whole army up, and them frog-eaters along with 'em. Close that door, Mas'r Dick. I've got a contrary temper, and can't stand no argifyin' like. Close that door, sir.'
Almost crazed with excitement, Dick strode about the hut. Even if he were to get away, the chances of capture were overwhelming. But—to be shot in an open fight for freedom! That would be a thousand times better than death by an open grave. Freedom! The word was intoxication. To breathe the air of heaven once again—to feel the canopy of the stars—to smell the musk of flowers and new grass! If only for an hour; yet, what an hour!
And then the chance, remote, but still within the realm of possibility, of reaching the front line, where men died like men. Of all the desires he had ever known, none had gripped him like the longing for battle, where death and honour were inseparable.
But once more the thought of Mathews chilled his purpose. It would mean penal servitude or worse for the old groom, and he was not going to be the means of ruining him for his faithfulness. He could not stoop so low as that.