So Pera has become, under the benevolent eye of its Inter-Allied police, the heaven of Greeks and Levantines and Carayanni, being a Greek, lives in Pera and knows it from A to Z. He has invited us to dinner, and as we know that he will not talk politics, as we want to see Pera at night, and as we could not find a better guide for the purpose, we have accepted his invitation.
One dines very late in Pera and when we start on our trip of exploration it is already night. We left home well after eight. On our way to meet Carayanni we had to pass through Galata, which shelters behind its façade of business respectability sordid back streets patronized by sailors of the international merchant and military navies now crowding the harbour. While banks and office buildings in the main street are closed at this late hour we have glimpses of side streets which would make the Barbary Coast of San Francisco blush with envy. Intoxicated sailors rock from side to side and disappear in little streets where organs grind their nasal notes of antiquated French, Italian, yes, even American popular songs and where harsh feminine voices greet prospective friends in an international vernacular. A foreign sailor, more intoxicated and more excited than the others, jumps on the running board of our carriage. It is a good thing that the top is up, as in the darkness he does not see that I am a Turk and when I push him and shout in English for him to get out he obeys without a sound, probably thinking that I am an Englishman or an American who could get protection from the police.
My wife is frightened, but the really dangerous part of our route is nearly over. We are leaving Galata behind. Our carriage climbs the hill of Pera and soon we pass before the Pera Palace, the leading hotel of Constantinople, now owned by a Greek, where foreign officers and business men are fêted by unscrupulous Levantine adventurers and drink and dance with fallen Russian princesses or with Greek and Armenian girls whose morals are, to say the least, as light as their flimsy gowns. Right next to the hotel is the “Petits Champs” Garden where soliciting by both male and female pleasure-seekers is now so aggressively indulged in that not even a self-respecting man dares any more to venture in the place.
The streets are also full of pleasure-seekers, but at this hour they are not yet as aggressive as in the Garden. They walk slowly eyeing each other with greedy or inviting glances. Among them hundreds of Russian refugees, derelicts of modern civilization, are drifting sadly, their emaciated bodies clothed in rags. Maimed men in old uniforms—on which you can still detect the insignias of the high ranks they obtained on the battlefields when they were fighting to make the world safe for democracy—are now peddling little wooden toys or artificial flowers which they try to sell to passers-by. Old women—and also a few young ones who prefer to be street vendors rather than street walkers—are selling candies and newspapers. At one corner a sad young woman, who will be a mother soon, holds in her hand a bunch of multi-coloured toy balloons. She is so tired that she leans against the wall and can hardly move her hand to offer her balloons for sale. Huddled on the curb and in porch-ways, little children shivering from hunger and from cold, are begging or trying to snatch a few minutes' sleep before the Inter-Allied police come and tell them to move on. Fourteen or fifteen-year-old little girls are parading arm in arm and patently offering their youthfulness in competition with the experienced knowledge of their elder sisters. Prostitution, dishonesty, misery and drunkenness are openly flaunted in this section of the city which revives all the vices of Byzance coupled with those of Sodom.
And all this under the very eyes of the Inter-Allied police who have occupied the city in the name of civilization and to enforce order and law. Never before were Pera and Galata as disreputable as now, never before were they so unsafe, so objectionable and so badly policed; the Inter-Allied police professes that it does not care to mix in matters that have no direct bearing on politics, and the Turkish police has had its authority completely taken away in this section of the city.
At last, through this repulsive maze of vice, we arrive at the Russian restaurant where we are to meet Carayanni. Pera is now full of Russian restaurants, where a money-spending international crowd revels in so-called Bohemian life. Why not? The walls are artistically painted and the furniture queer looking enough. Of course, like most amateur Bohemians, the only thing which this international crowd has adopted from the Quartier Latin of Paris is free love. Anyhow, with the punctuality of a perfect host, Carayanni is waiting for us. Well groomed and prosperous-looking in his dapper London-made clothes, he is trying his best to look and act like an Englishman. His polite nonchalance and his general appearance are so perfect that, despite his dark complexion, it is hard for me to realize that this is the same man who, before I left Constantinople about ten years ago, was making only a very modest living in gambling and card games in which he always was an expert. He has changed his business, however, during the war and is now one of the most successful food speculators in town.
Carayanni has a special table prepared right near the center of the room and on our way to the table he stops to greet the waitresses and to gracefully kiss their hands. Most of these girls are supposed to belong to the Russian nobility, so in Pera it has become the custom to kiss the hand that feeds you. We take our seats and glance about the room. As a whole the place is almost respectable. The crowd is the usual mixture seen now at night in Pera: mostly olive-skinned, thick-lipped, dissipated Armenians and Greeks who can afford high-priced restaurants, thanks to their unscrupulous war and post-war profiteering; many foreigners who can the better afford to spend in view of the low rate of exchange of the Turkish money; a few Americans who love to indulge in foreign countries in pleasures forbidden to them in their own either by puritanic traditions or by the eighteenth amendment. The food is excellent; we have a taste of “vodka,” the Russian drink, while at other tables imported and local wines of rare vintage are consumed copiously. The professional entertainment provided consists of an excellent gypsy orchestra, the best I have heard anywhere, a few singers who sing some weird Russian songs and an interpretative dancer who interprets better than she dances. In between the professional numbers those who desire to dance can do so in the middle of the room which remains cleared for the purpose. After all, it is the same kind of cabaret restaurant that one finds in London, Paris or New York, except that its performers are Russian, its waitresses are supposed to be princesses and its crowd is a little more “Bohemian.”
Of course Carayanni finds it too slow and as we are finishing dinner he suggests that we go to a show. At one theater the Greeks are giving a performance for the benefit of their refugees and at another the Turks are giving a performance for the benefit of their refugees and as our party to-night is both Turkish and Greek we must not hurt the feelings of each other by going to either of these shows. Carayanni suggests adjourning to a certain “club” which is the rage of the moment and where plays and actors are so—“unreserved,” that the public is required to wear masks. Naturally I object to this suggestion: my wife and I are, so to speak, provincials from Stamboul and our blushes would glow even through our masks. My wife is so shocked that Carayanni is sorry to have ever suggested it and he proposes hastily to go to see Scheherazade which is played by some of the former actors of the imperial ballet corps of Petrograd. We all decide in favour of this and we adjourn to the theater.
The play has already started. Here again there are only a very few Turks in the audience and their presence seems to me as incongruous as mine must seem to them. It is queer to see the place crowded with foreigners when but a few years ago the crowds in theaters were almost exclusively Turkish. I remember that one of the last times I came to this very theater it was to assist at a gala performance given by the Municipality of Constantinople in honour of the Young Turkish leaders who had just then so successfully accomplished their democratic revolution. The place was then covered with Turkish flags and humming with Turkish enthusiasm. To-day it is almost entirely Russian. Really, the dream of Peter the Great of making a Russian city of Constantinople has partly come true, but it has turned into a nightmare. I whisper this to my wife and, unknown to Carayanni, we both express the wish that any one who might nourish the ambition of taking Constantinople away from the Turks might share a plight similar to that of the Russians. It is not generous, I admit it, but if we were not Turks and formed the same wish for the enemies of our country, people would call us patriots.
The performance is pretty good but it drags on. Scheherazade is a spectacular play and neither the theater nor its staging are adapted to such plays. The actors might have been in the Imperial Ballet of Petrograd but they certainly were not principals. So we decide to leave before the performance is over. This time Carayanni insists that we go to a regular café chantant. He will take us to the best one; it is an open-air affair but the weather is really not so cool to-night as to make it disagreeable. We have to take a carriage as it is at some distance, on the hills of Shishli.