What we need is a union of mush and melody, if I may be allowed that expression. Mr. Gladstone has given us the graduated scale, so that we know just what metre a bill of fare goes in as quick as we look at it. In this way the day is not far distant when music and mastication will march down through the dim vista of years together.
The Baked Bean Chant, the Vermicelli Waltz, the Mush and Milk March, the sad and touchful Pumpkin Pie Refrain, the gay and rollicking Oxtail Soup Gallop, and the melting Ice Cream Serenade will yet be common musical names.
Taking different classes of food, I have set them to music in such a way that the meal, for instance, may open with a Soup Overture, to be followed by a Roast Beef March in C, and so on, closing with a kind of Mince Pie La Somnambula pianissimo in G. Space, of course, forbids an extended description of this idea as I propose to carry it out, but the conception is certainly grand. Let us picture the jaws of a whole family moving in exact time to a Strauss waltz on the silent remains of the late lamented hen, and we see at once how much real pleasure may be added to the process of mastication.
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The Blase Young Man.
I have just formed the acquaintance of a blase young man. I have been on an extended trip with him. He is about twenty-two years old, but he is already weary of life. He was very careful all the time never to be exuberant. No matter how beautiful the landscape, he never allowed himself to exube.