Such a structure does not come within either of the three classes of renaissance. It is neither Florentine, Roman, or Venetian. Any man can originate such a style if he will only drink the right kind of whiskey long enough and then describe the feelings to an amanuensis.

Imagine the sensation that one of these modern, sawed-off cottages would create a hundred years from now, if it should survive! But that is impossible. The only cheering feature of the whole matter is that these creatures of a disordered imagination must soon pass away, and the bright sunlight of hard horse sense shine in through the shattered dormers and gables and gnawed-off architecture of the average summer resort.

A friend of mine a few days ago showed me his new house with much pride. He asked me what I thought of it. I told him I liked it first-rate. Then I went home and wept all night. It was my first falsehood.

The house, taken as a whole, looked to me like a skating rink that had started out to make money, and then suddenly changed its mind and resolved to become a tannery. Then ten feet higher it lost all self-respect and blossomed into a full-blown drunk and disorderly, surrounded by the smokestack of a foundry and the bright future of thirty days ahead with the chain gang. That's the way it looked to me.

The roofs were made of little odds and ends of misfit rafters and distorted shingles that somebody had purchased at a sheriff's sale, and the rooms and stairs were giddy in the extreme.

I went in and rambled around among the cross-eyed staircases and other night-mares till reason tottered on her throne. Then I came out and stood on the architectural wart, called the side porch, to get fresh air. This porch was painted a dull red, and it had wooden rosettes at the corners that looked like a new carbuncle on the nose of a social wreck.

Farther up on the demoralized lumber pile I saw, now and then, places where the workman's mind had wandered and he had nailed on his clapboards wrong side up, and then painted them with Paris green that he had intended to use on something else.

It was an odd looking structure, indeed. If my friend got all the material for nothing from people who had fragments of paint and lumber left over after they failed, and then if the workmen constructed it of night for mental relaxation and intellectual repose, without charge, of course the scheme was a financial success, but architecturally the house is a gross violation of the statutes in such cases made and provided, and against the peace and dignity of the State.