The City of God, Volume I

by Bishop of Hippo Saint Augustine

In this whole series of most beautiful and most subtle distributions and distinctions, it will most easily appear evident from the things we have said already, and from what is to be said hereafter, to any man who is not, in the obstinacy of his heart, an enemy to himself, that it is vain to seek and to hope for, and even most impudent to wish for eternal life. For these institutions are either the work of men, or of demons,—not of those whom they call good demons, but, to speak more plainly, of unclean, and, without controversy, malign spirits, who with wonderful slyness and secretness suggest to the thoughts of the impious, and sometimes openly present to their understandings, noxious opinions, by which the human mind grows more and more foolish, and becomes unable to adapt itself to and abide in the immutable and eternal truth, and seek to confirm these opinions by every kind of fallacious attestation in their power. This very same Varro testifies that he wrote first concerning human things, but afterwards concerning divine things, because the states existed first, and afterward these things were instituted by them. But the true religion was not instituted by any earthly state, but plainly it established the celestial city. It, however, is inspired and taught by the true God, the giver of eternal life to His true worshippers.

The following is the reason Varro gives when he confesses that he had written first concerning human things, and afterwards of divine things, because these divine things were instituted by men:—"As the painter is before the painted tablet, the mason before the edifice, so states are before those things which are instituted by states." But he says that he would have written first concerning the gods, afterwards concerning men, if he had been writing concerning the whole nature of the gods,—as if he were really writing concerning some portion of, and not all, the nature of the gods; or as if, indeed, some portion of, though not all, the nature of the gods ought not to be put before that of men. How, then, comes it that in those three last books, when he is diligently explaining the certain, uncertain, and select gods, he seems to pass over no portion of the nature of the gods? Why, then, does he say, "If we had been writing on the whole nature of the gods, we would first have finished the divine things before we touched the human?" For he either writes concerning the whole nature of the gods, or concerning some portion of it, or concerning no part of it at all. If concerning it all, it is certainly to be put before human things; if concerning some part of it, why should it not, from the very nature of the case, precede human things? Is not even some part of the gods to be preferred to the whole of humanity? But if it is too much to prefer a part of the divine to all human things, that part is certainly worthy to be preferred to the Romans at least. For he writes the books concerning human things, not with reference to the whole world, but only to Rome; which books he says he had properly placed, in the order of writing, before the books on divine things, like a painter before the painted tablet, or a mason before the building, most openly confessing that, as a picture or a structure, even these divine things were instituted by men. There remains only the third supposition, that he is to be understood to have written concerning no divine nature, but that he did not wish to say this openly, but left it to the intelligent to infer; for when one says "not all," usage understands that to mean "some," but it may be understood as meaning none, because that which is none is neither all nor some. In fact, as he himself says, if he had been writing concerning all the nature of the gods, its due place would have been before human things in the order of writing. But, as the truth declares, even though Varro is silent, the divine nature should have taken precedence of Roman things, though it were not all, but only some. But it is properly put after, therefore it is none. His arrangement, therefore, was due, not to a desire to give human things priority to divine things, but to his unwillingness to prefer false things to true. For in what he wrote on human things, he followed the history of affairs; but in what he wrote concerning those things which they call divine, what else did he follow but mere conjectures about vain things? This, doubtless, is what, in a subtle manner, he wished to signify; not only writing concerning divine things after the human, but even giving a reason why he did so; for if he had suppressed this, some, perchance, would have defended his doing so in one way, and some in another. But in that very reason he has rendered, he has left nothing for men to conjecture at will, and has sufficiently proved that he preferred men to the institutions of men, not the nature of men to the nature of the gods. Thus he confessed that, in writing the books concerning divine things, he did not write concerning the truth which belongs to nature, but the falseness which belongs to error; which he has elsewhere expressed more openly (as I have mentioned in the fourth book[234]), saying that, had he been founding a new city himself, he would have written according to the order of nature; but as he had only found an old one, he could not but follow its custom.

5. Concerning the three kinds of theology according to Varro, namely, one fabulous, the other natural, the third civil.

Now what are we to say of this proposition of his, namely, that there are three kinds of theology, that is, of the account which is given of the gods; and of these, the one is called mythical, the other physical, and the third civil? Did the Latin usage permit, we should call the kind which he has placed first in order fabular,[235] but let us call it fabulous,[236] for mythical is derived from the Greek μῦθος, a fable; but that the second should be called natural, the usage of speech now admits; the third he himself has designated in Latin, calling it civil.[237] Then he says, "they call that kind mythical which the poets chiefly use; physical, that which the philosophers use; civil, that which the people use. As to the first I have mentioned," says he, "in it are many fictions, which are contrary to the dignity and nature of the immortals. For we find in it that one god has been born from the head, another from the thigh, another from drops of blood; also, in this we find that gods have stolen, committed adultery, served men; in a word, in this all manner of things are attributed to the gods, such as may befall, not merely any man, but even the most contemptible man." He certainly, where he could, where he dared, where he thought he could do it with impunity, has manifested, without any of the haziness of ambiguity, how great injury was done to the nature of the gods by lying fables; for he was speaking, not concerning natural theology, not concerning civil, but concerning fabulous theology, which he thought he could freely find fault with.

Let us see, now, what he says concerning the second kind. "The second kind which I have explained," he says, "is that concerning which philosophers have left many books, in which they treat such questions as these: what gods there are, where they are, of what kind and character they are, since what time they have existed, or if they have existed from eternity; whether they are of fire, as Heraclitus believes; or of number, as Pythagoras; or of atoms, as Epicurus says; and other such things, which men's ears can more easily hear inside the walls of a school than outside in the Forum." He finds fault with nothing in this kind of theology which they call physical, and which belongs to philosophers, except that he has related their controversies among themselves, through which there has arisen a multitude of dissentient sects. Nevertheless he has removed this kind from the Forum, that is, from the populace, but he has shut it up in schools. But that first kind, most false and most base, he has not removed from the citizens. Oh, the religious ears of the people, and among them even those of the Romans, that are not able to bear what the philosophers dispute concerning the gods! But when the poets sing and stage-players act such things as are derogatory to the dignity and the nature of the immortals, such as may befall not a man merely, but the most contemptible man, they not only bear, but willingly listen to. Nor is this all, but they even consider that these things please the gods, and that they are propitiated by them.

But some one may say, Let us distinguish these two kinds of theology, the mythical and the physical,—that is, the fabulous and the natural,—from this civil kind about which we are now speaking. Anticipating this, he himself has distinguished them. Let us see now how he explains the civil theology itself. I see, indeed, why it should be distinguished as fabulous, even because it is false, because it is base, because it is unworthy. But to wish to distinguish the natural from the civil, what else is that but to confess that the civil itself is false? For if that be natural, what fault has it that it should be excluded? And if this which is called civil be not natural, what merit has it that it should be admitted? This, in truth, is the cause why he wrote first concerning human things, and afterwards concerning divine things; since in divine things he did not follow nature, but the institution of men. Let us look at this civil theology of his. "The third kind," says he, "is that which citizens in cities, and especially the priests, ought to know and to administer. From it is to be known what god each one may suitably worship, what sacred rites and sacrifices each one may suitably perform." Let us still attend to what follows. "The first theology," he says, "is especially adapted to the theatre, the second to the world, the third to the city." Who does not see to which he gives the palm? Certainly to the second, which he said above is that of the philosophers. For he testifies that this pertains to the world, than which they think there is nothing better. But those two theologies, the first and the third,—to wit, those of the theatre and of the city,—has he distinguished them or united them? For although we see that the city is in the world, we do not see that it follows that any things belonging to the city pertain to the world. For it is possible that such things may be worshipped and believed in the city, according to false opinions, as have no existence either in the world or out of it. But where is the theatre but in the city? Who instituted the theatre but the state? For what purpose did it constitute it but for scenic plays? And to what class of things do scenic plays belong but to those divine things concerning which these books of Varro's are written with so much ability?

6. Concerning the mythic, that is, the fabulous, theology, and the civil, against Varro.

O Marcus Varro! thou art the most acute, and without doubt the most learned, but still a man, not God,—now lifted up by the Spirit of God to see and to announce divine things, thou seest, indeed, that divine things are to be separated from human trifles and lies, but thou fearest to offend those most corrupt opinions of the populace, and their customs in public superstitions, which thou thyself, when thou considerest them on all sides, perceivest, and all your literature loudly pronounces to be abhorrent from the nature of the gods, even of such gods as the frailty of the human mind supposes to exist in the elements of this world. What can the most excellent human talent do here? What can human learning, though manifold, avail thee in this perplexity? Thou desirest to worship the natural gods; thou art compelled to worship the civil. Thou hast found some of the gods to be fabulous, on whom thou vomitest forth very freely what thou thinkest, and, whether thou willest or not, thou wettest therewith even the civil gods. Thou sayest, forsooth, that the fabulous are adapted to the theatre, the natural to the world, and the civil to the city; though the world is a divine work, but cities and theatres are the works of men, and though the gods who are laughed at in the theatre are not other than those who are adored in the temples; and ye do not exhibit games in honour of other gods than those to whom ye immolate victims. How much more freely and more subtly wouldst thou have decided these hadst thou said that some gods are natural, others established by men; and concerning those who have been so established, the literature of the poets gives one account, and that of the priests another,—both of which are, nevertheless, so friendly the one to the other, through fellowship in falsehood, that they are both pleasing to the demons, to whom the doctrine of the truth is hostile.

That theology, therefore, which they call natural, being put aside for a moment, as it is afterwards to be discussed, we ask if any one is really content to seek a hope for eternal life from poetical, theatrical, scenic gods? Perish the thought! The true God avert so wild and sacrilegious a madness! What, is eternal life to be asked from those gods whom these things pleased, and whom these things propitiate, in which their own crimes are represented? No one, as I think, has arrived at such a pitch of headlong and furious impiety. So then, neither by the fabulous nor by the civil theology does any one obtain eternal life. For the one sows base things concerning the gods by feigning them, the other reaps by cherishing them; the one scatters lies, the other gathers them together; the one pursues divine things with false crimes, the other incorporates among divine things the plays which are made up of these crimes; the one sounds abroad in human songs impious fictions concerning the gods, the other consecrates these for the festivities of the gods themselves; the one sings the misdeeds and crimes of the gods, the other loves them; the one gives forth or feigns, the other either attests the true or delights in the false. Both are base; both are damnable. But the one which is theatrical teaches public abomination, and that one which is of the city adorns itself with that abomination. Shall eternal life be hoped for from these, by which this short and temporal life is polluted? Does the society of wicked men pollute our life if they insinuate themselves into our affections, and win our assent? and does not the society of demons pollute the life, who are worshipped with their own crimes?—if with true crimes, how wicked the demons! if with false, how wicked the worship!

When we say these things, it may perchance seem to some one who is very ignorant of these matters that only those things concerning the gods which are sung in the songs of the poets and acted on the stage are unworthy of the divine majesty, and ridiculous, and too detestable to be celebrated, whilst those sacred things which not stage-players but priests perform are pure and free from all unseemliness. Had this been so, never would any one have thought that these theatrical abominations should be celebrated in their honour, never would the gods themselves have ordered them to be performed to them. But men are in nowise ashamed to perform these things in the theatres, because similar things are carried on in the temples. In short, when the fore-mentioned author attempted to distinguish the civil theology from the fabulous and natural, as a sort of third and distinct kind, he wished it to be understood to be rather tempered by both than separated from either. For he says that those things which the poets write are less than the people ought to follow, whilst what the philosophers say is more than it is expedient for the people to pry into. "Which," says he, "differ in such a way, that nevertheless not a few things from both of them have been taken to the account of the civil theology; wherefore we will indicate what the civil theology has in common with that of the poet, though it ought to be more closely connected with the theology of philosophers." Civil theology is therefore not quite disconnected from that of the poets. Nevertheless, in another place, concerning the generations of the gods, he says that the people are more inclined toward the poets than toward the physical theologists. For in this place he said what ought to be done; in that other place, what was really done. He said that the latter had written for the sake of utility, but the poets for the sake of amusement. And hence the things from the poets' writings, which the people ought not to follow, are the crimes of the gods; which, nevertheless, amuse both the people and the gods. For, for amusement's sake, he says, the poets write, and not for that of utility; nevertheless they write such things as the gods will desire, and the people perform.