"Have I not even yet done with father?" Arne thought; and determined at the same moment that he would go to Böen.
As he went walking, with his saw on his shoulder, over the ice towards Böen, it seemed to him a beautiful place. The dwelling-house always seemed as if it was fresh painted; and—perhaps because he felt a little cold—it just then looked to him very sheltered and comfortable. He did not, however, go straight in, but went round by the cattle-house, where a flock of thick-haired goats stood in the snow, gnawing the bark off some fir twigs. A shepherd's dog ran backwards and forwards on the barn steps, barking as if the devil was coming to the house; but when Arne went to him, he wagged his tail and allowed himself to be patted. The kitchen door at the upper end of the house was often opened, and Arne looked over there every time; but he saw no one except the milkmaid, carrying some pails, or the cook, throwing something to the goats. In the barn the threshers were hard at work; and to the left, in front of the woodshed, a lad stood chopping fagots, with many piles of them behind him.
Arne laid away his saw and went into the kitchen: the floor was strewed with white sand and chopped juniper leaves; copper kettles shone on the walls; china and earthenware stood in rows upon the shelves; and the servants were preparing the dinner. Arne asked for Baard. "Step into the sitting-room," said one of the servants, pointing to an inner door with a brass knob. He went in: the room was brightly painted—the ceiling, with clusters of roses; the cupboards, with red, and the names of the owners in black letters; the bedstead, also with red, bordered with blue stripes. Beside the stove, a broad-shouldered, mild-looking man, with long light hair, sat hooping some tubs; and at the large table, a slender, tall woman, in a close-fitting dress and linen cap, sat sorting some corn into two heaps: no one else was in the room.
"Good day, and a blessing on the work," said Arne, taking off his cap. Both looked up; and the man smiled and asked who it was. "I am he who has come to do carpentry."
The man smiled still more, and said, while he leaned forward again to his work, "Oh, all right, Arne Kampen."
"Arne Kampen?" exclaimed the wife, staring down at the floor. The man looked up quickly, and said, smiling once more, "A son of Nils, the tailor;" and then he began working again.
Soon the wife rose, went to the shelf, turned from it to the cupboard, once more turned away, and, while rummaging for something in the table drawer, she asked, without looking up, "Is he going to work here?"
"Yes, that he is," the husband answered, also without looking up.
"Nobody has asked you to sit down, it seems," he added, turning to Arne, who then took a seat. The wife went out, and the husband continued working: and so Arne asked whether he, too, might begin. "We'll have dinner first."
The wife did not return; but next time the door opened, it was Eli who entered. At first, she appeared not to see Arne, but when he rose to meet her she turned half round and gave him her hand; yet she did not look at him. They exchanged a few words, while the father worked on. Eli was slender and upright, her hands were small, with round wrists, her hair was braided, and she wore a dress with a close-fitting bodice. She laid the table for dinner: the laborers dined in the next room; but Arne, with the family.