Arne; Early Tales and Sketches / Patriots Edition

by Bjørnstjerne Bjørnson

"Oh, how pretty!" cried Eli, running over to the garden fence. She had often seen Kampen, but only from a distance, where the garden was not visible.

"We will look at that after a while," said Margit.

Eli hastily glanced through the windows, as she went past the house; there was no one inside.

They stationed themselves on the barn-bridge and watched the cows as they passed lowing into the stable. Margit named them to Eli, told how much milk each one gave, and which of them calved in the summer, which did not. The sheep were counted and let into the fold; they were of a large, foreign breed; Arne had raised them from two lambs he got from the south. "He gives much attention to all such things, although you would not think it of him."

They now went into the barn, and examined the hay that had been housed, and Eli had to smell it—"for such hay is not to be found everywhere." Margit pointed through the barn-hatch over the fields, and told what each one yielded and how much was sown of each kind of seed.

They went out toward the house; but Eli, who had not spoken a word in reply to all that had been said, as they passed by the garden, asked if she might go into it. And when leave had been given her to go, she begged to be allowed to pluck a flower or two. There was a little bench away in one corner; she went and sat down on it, only to try it, apparently, for she rose at once.

"We must hurry now, if we would not be too late," said Margit, standing in the door. And now they went in. Margit asked Eli if she should offer her some refreshments on this her first visit; but Eli blushed and hastily declined. Then the girl's eyes wandered all around the room they had entered; it was where the family sat in the day-time, and the windows opened on the road; the room was not large but it was cozy, and there was a clock and a stove in it. On the wall hung Nils's fiddle, dingy and old, but with new strings. Near it also hung a couple of guns belonging to Arne, an English angling-rod and other rare things which the mother took down and showed to Eli, who looked at them and handled them. The room was without paint, for Arne disliked it; nor was there any painting in the room looking toward the Kamp gorge, with the fresh green mountains directly opposite and the blue ones in the background; this latter room,—which was in the new part of the building, as was the entire half of the house it was in,—was larger and prettier than the first. The two smaller rooms in the wing were painted, for there the mother was to live when she was old, and Arne had brought a wife into the house. They went into the kitchen, the store-house, the bake-house, Eli spoke not a single word; indeed, she viewed everything about her as though from afar off; only when anything was held out for her inspection she touched it, but very daintily. Margit, who had kept up an unbroken stream of chatter the whole way, now led her into the passage again; they must go and take a look up-stairs.

There also were well-arranged rooms, corresponding with those below; but they were new and had scarcely yet been occupied, except one, which looked toward the gorge. In these rooms were kept all sorts of articles which were not in daily household use. Here hung a whole lot of robes, together with other bedclothes; the mother took hold of them, lifted them up, and now and then insisted on having Eli do the same. Meanwhile, it actually seemed as though the young girl were gaining a little courage, or else her pleasure in these things increased; for to some of them she went back a second time, asked questions about them, and became more and more interested.

Finally the mother said, "Now at last we will go into Arne's own room;" and then they went into the room overlooking the Kamp gorge. Once more the awful din of the force smote upon their ears, for the window was open. They were up so high that they could see the spray rising between the mountains, but not the force itself, save in one spot farther on, where a fragment had fallen from the cliff, just where the torrent, with all its might, took its final leap into the depths below. Fresh turf covered the upward turned side of this fallen piece of rock, a few fir cones had buried themselves in it, and sent forth a growth of trees with their roots in the crevices. The wind had tugged at and shaken the trees, the force had washed them so completely that there was not a branch four ells from the roots; they were crooked in the knees, their boughs knotted and gnarled, yet they kept their footing, and shot far up between the rocky walls. This was the first thing Eli noticed from the window; the next, the dazzling white snow-capped peaks rising above the green mountains. She turned her eyes away, let them wander over the peaceful, fruitful fields, and finally about the room where she stood; the roar of the force had hitherto prevented this.

How calm and cheerful it was within, compared with the scene without. She did not look at any single article, because one blended into the other, and most of them were new to her, for Arne had centred his affections in this room, and, simple as it was, it was artistic in almost every particular. It seemed as though the sound of his songs came floating toward her, while she stood there, or as though he himself smiled at her from every object. The first thing her eyes singled out in the room, was a broad, handsomely carved book-shelf. There were so many books on it that she did not believe the priest had more. A pretty cabinet was the next thing she noticed. Here he kept many rare things, his mother said. Here, too, he had his money, she added, in a whisper. They had twice had property left to them, she told afterwards; they would have one more inheritance besides, if things went as they should. "But money is not the best thing in the world, after all. Arne may get what is far better."