Stanzas 5 and 6. Again a rather long period of peace is passed over. In 1807 Denmark was induced by Napoleon to join the continental system. England bombarded Copenhagen and captured it and the Danish fleet. The war lasted seven years for Norway also, which was blockaded by the English fleet and suffered sorely for lack of the necessaries of life. But the nations sense of independence grew, and when the Peace of Kiel in January, 1814, separated Norway from Denmark, Norway refused to be absorbed by Sweden, and through a representative assembly at Eidsvold declared its independence, adopted a Constitution on May 17, 1814, and chose as King, Prince Christian Frederik, the later King Christian VIII of Denmark. The Swedish Crown Prince Karl Johan led an invasion of Norway in July, and there was fighting until the Convention of Moss, August 14, in which he approved the Norwegian Constitution in return for the abdication of Christian Frederik. Negotiations then led to the federation of Norway as an independent kingdom with Sweden in a union. This was formally concluded on November 4, 1815, by the adoption of the Act of Union, and the election of the Swedish King Karl XIII as King of Norway. The last four lines of stanza 6 refer to "Scandinavism," i.e., a movement beginning some time before 1848 to bring about a close federation or alliance of the three Northern kingdoms (see Note 21).
Note 6. ANSWER FROM NORWAY. First printed in a newspaper, April 7, 1860, with the title "Song for the Common People," this poem refers to a stage of the long conflict over the question of a viceroy in Norway, so important in the history of the union of Sweden and Norway. The Norwegian Constitution gave to the King power to send a viceroy to reside in Norway, and to name as such either a Swede or a Norwegian. Until about 1830 the viceroy had always been a Swede, thereafter always a Norwegian. On December 9, 1859, the Norwegian Storting voted to abolish this article in a proposed revision of the Constitution. The matter was discussed in Sweden with vehemence and passion. The storm of feeling raged most violently in March, 1860, when on the 17th, in Stockholm, this revision was rejected. However, no viceroy was appointed alter 1859, and in 1873 the question was amicably settled as Norwegians desired. While the situation was tense, an unfounded rumor had spread, that on one occasion the Norwegian flag had been raised over the residence of the Swedish-Norwegian Minister in Vienna. This caused loud complaints in Sweden, that "the Norwegian colors had displaced the Swedish," while in the House of Nobles a member declared that Norway ought to be "an accessory" to Sweden; that "young, inexperienced" Norway's demand of equality with Sweden was like a commoner's importunity for equality with a nobleman. He went on to say that the Swedish nation must crave again its (pure) flag: "For in our ancient blue-yellow Swedish flag, that waved over Lützen's blood-drenched battlefield, are our honor, our memories, and thousand-fold deaths." The (pure, i.e., without the mark of union) Swedish flag consists of a yellow cross on a blue ground, the (pure) Norwegian flag of a blue cross within a white border on a red ground; in each the cross extends to the four margins. At the date of this poem each flag showed a mark of union, a diagonal combination of the colors of both, in the upper field nearest the staff. (For a brief history of the flag of Norway, see Note 66.)
Stanza 2. Magnus the Good, son of Olaf the Saint, reigned from 1035 till his death in 1047. He was victorious in conflict with the Danish King Knut the Hard, and by agreement received Denmark after his death. Magnus died in Denmark on one of several successful expeditions against the rebellious Svein Jarl. Fredrikshald, see Note 5. Ad(e)ler, Kort Sivertsen (1622-1675), was a distinguished admiral, born in Norway. He reorganized the Danish-Norwegian fleet, which late in the seventeenth century several times defeated the Swedish.
Stanza 3. Lützen. In the battle of Lützen, November 16, 1632, Gustavus Adolphus of Sweden was killed. Grandsire's ancient seat, symbol of Norway's ancient power and glory. In one of the Swedish speeches were these words: "If Norway had had a Gustavus Adolphus, a Torstenson, a Charles the Twelfth, if its name like ours had gone forth victorious in history, no Swede would deny its right to stand before us. This, however, is not the case. …"
Stanza 4. Sverre Priest, see Note 5. When young he was a priest.
Stanzas 5 and 6. Christie, Y. F. K. (1779-1849), was a vice- president of the convention of Eidsvold, April 10-May 20, 1814, and president of the first extraordinary Storting after the convention of Moss, August, 1814. To him more than any other man was due the securing of Norway's independence and welfare in the framing and adoption of the Constitution and the Act of Union. In a sense he was the real founder of Norway's liberty (see Note 5).
Stanza 7. Wessel=Tordenskjold, see Note 5.
Stanza 8. Torgny. At the Ting in Upsala, February, 1018, when the
Swedish King Olaf refused peace and his daughter's hand to the
Norwegian King, Olaf the Saint, the aged and revered peasant lawman,
Torgny, the wisest and most influential man in the land, rebuked the
King, declaring that the peasants wished peace with Norway, and
concluding thus: "If you will not do what we say, we shall attack
and kill you and not suffer from you breach of peace and law." The
King yielded, and made a promise which he afterwards broke.
Note 7. JOHAN LUDVIG HEIBERG (December 14, 1791-August 25, 1860), the leading Danish dramatist and critic of his time, an esthetic genius, with, however, the stamp of the man of the world always on his life and works. He early studied mathematics and natural science, medicine and philology, Danish and foreign literature, and was also very musical. He was uncertain whether to become a poet and esthetic critic, a physician, or a natural scientist, or a surveyor, or — a diplomat. From about 1824 he studied and adopted the Hegelian philosophy, on which based his esthetics, and for which he was the first spokesman in Denmark. In the years 1825 to 1836 he founded the Danish vaudeville, in which his aim was to recreate the national drama. His vaudeville was a lighter musical-dramatic genre, a situation-play with loosely-sketched characters and the addition of music to concentrate the mood. In it he sought a union with the national comedy, and like Holberg to treat subjects from his own age and land. From 1830 to 1836 Heiberg was professor of logic, esthetics, and Danish literature in the Military School. From 1839 on, censor of the Royal Theater, of which he was director from 1849 to 1856, without great success because of circumstances beyond his control. In the year 1840 he began to deeply interested in the study of acoustics, optics, and astronomy, and soon fitted up a small astronomical observatory at his residence; he published an astronomical manual, 1844-46. In 1831 Heiberg married Johanne Louise Pätges (1812-1890). The daughter of poor parents, she became a pupil of the dancing-school of the Royal Theater in 1820, but went over to the drama in 1826. Wonderfully gifted, she developed rapidly and became Denmark's greatest actress. Her last appearance on the stage was in 1864. She favored the performance of Björnson's and Ibsen's earlier dramas on the stage in Copenhagen, with management of which she had official connection from 1867 to 1874. "New Year" ringing o'er the Northland. Shortly before Christmas, 1816, Heiberg published his polemical romantic comedy Yule Jests and New Year's Jokes, a brilliant revelation of his superiority as a wit and a satirist. Attacking the excessive sentimentality of Danish literature and taste at that time, it made a sensation and led to the improvement of both.
Note 8. THE OCEAN. Arnljot Gelline, a man of prowess, from Tiundaland, the Region about Upsala. When Olaf the Saint went from Sweden to Norway in 1030, Arnljot Gelline was present in his army at Stiklestad, and after baptism was assigned to a place nearest in front of the royal standard. He fought stoutly, but fell early in the battle. Vikar, a brother of Arnljot Gelline, who sailed with Olaf Trygvason on the Long Serpent, and died fighting in his post of honor on the prow. (See notes below.)