But the happiest of them all remained behind, Fru Rendalen and Karl Vangen.
How Fru Rendalen hurried about with her spectacles awry, a habit she had acquired in later years; it was like meeting a load of hay at hay-harvest, it smells so sweet from such a distance, and one so gladly stands aside to let the mighty, useful, close-packed object pass. Karl Vangen was one constant smile; he had no time to leave off. He beamed with delight if any one so much as looked towards the school, and would tell, over and over again, all the little incidents which occurred there: they were every one either remarkable or amusing.
It was only Tomas who was not quite in accord with them, but there never was much "comfort" about him, if by that one understands confidential intercourse, and even good temper. He either wanted tall Vangen to "give him a back" out in the garden walks, or even sometimes in the sitting-room, while he jumped over him as one boy jumps over another; or he walked up and down, up and down, generally whistling, with his hands in his pockets, till it made one giddy to look at him; or else he would play the piano by the hour together. Sometimes he worked for, and in, the school without intermission; or read a new book regardless of any interruption; or he took endless walks or read aloud, and amused himself with the girls as though they were all comrades; or else he could not bear them, or the school, or anything which belonged to it.
At such times his mother had to take the literature lesson for him, Miss Hall the chemistry and physics, Nora the singing; he would not, he could not.
Then he would come back again, brighter and happier than ever, and do the work of two. His mother put this down as the result of all the years he had lived without regular employment. If they had company he did not appear at all, or else came and carried everything before him, or came and sat silent. If he spoke to any one, it was "Yes, just so," "Quite right." And then he would leave the room and not return. Looked at in a certain way, this showed genius: there was something of a genius about Tomas Rendalen.
Before he went to America he had "discovered" a history teacher: he was very great at "discoveries." She was called Karen Lote, and taught needlework, writing, and drawing. Rendalen had noticed her acquirements in the different kinds of drawing, and found out that the girl possessed a by no means insignificant knowledge of history. "Extend that into the history of civilisation," he said. He was never tired of giving this advice. "Here at home the history of civilisation is worse than meagre, and it is the only one which is worth anything in a school."
He had then begun to make the large collection of historical pictures which the school now possessed, and through these he captivated her interest; he kept it, while he was abroad, by sending a number of these pictures to her, as well as books and advice; and he was hardly home again before he undertook the history lessons of the whole school to explain to her what his ideas were; he sought to show development and connection by a clear historical summary accompanied by maps and pictures; he made it slight for the younger, and more elaborate for the elder ones; only using details as characteristics. He made it one-sided, but there was power and colour in its historical representations. Karen Lote was captivated; the novelty of his appearance, his opinions, his wonderful talent for teaching, his inimitable way of making one believe there was nothing in the world for him beyond what was before him at the moment; his exquisite taste in dress, his well-ordered person, even the slight odour of delicate scent which always followed him, all gave the girl a deep interest in him. Nothing in the six-and-twenty years of her life had ever in the slightest degree approached it. To think of being helped in her work by him every day! The misunderstandings and persecutions which he went through, and his sufferings under them, brought her feelings to a pitch of enthusiasm. But she did not trouble any one with it. Then came the time when he became the principal of the school. He would come and listen to her teaching whenever he had a spare moment, share eagerly in it, or go away without saying a word; remain away for a long time, then come again every day, and take the whole lesson out of her hands; or else walk up and down, up and down, and then remain away again.
Just before Christmas Karen Lote went to Fru Rendalen, and told her that she could not stay a day longer in the school. If she merely heard Rendalen's step in the passage she trembled; when he was near she could not relate the simplest occurrence or give an explanation. "But why?" He treated her with the greatest contempt; she burst into tears. "Contempt?" Yes! either he continually interrupted her, took the whole lesson away from her, or else he did not consider her worth correcting, turned his back on her, did not bow, did not come at all. There was no end to her complaints.
Fru Rendalen assembled the teachers and laid Fröken Lote's complaint before them, convinced that it must be the most extraordinary misunderstanding. But the teacher who had succeeded Fröken Lote as drawing mistress assured her that if she had not had a mother to support, she would have left long ago; she would not have borne his continual corrections in the children's hearing; he was an unbearable tyrant.
Everything must be done in one particular way, without the least variation. He had made her so nervous that she trembled if she even heard him in the passage. And she cried too.