But this was not the right word. Where were Anna's eyes? Tora was a beauty, and her beauty was singular and "foreign." Anna had used her ears as little as her eyes, for there was but one opinion about it.
Milla did nothing the whole of the first day but look at Tora, who, although her back was turned towards her, could not keep quiet, but twisted and turned as though she could feel the other's eyes on her neck. The more restless Tora became, the more calmly Milla studied her. At home, in the sitting-room, stood a head of the young Augustus in marble; it had been Milla's admiration from childhood. And now, there it was, on a girl's body, on the bench before her, moving in brightness and colour.
The brow was exactly the same, the whole shape of the head, broad above; the curve of the cheeks and chin, the arch of the eyebrows the same, all the same! The eyes were different and more full of life, for those of the Augustus gave the impression of dulness, or at least heaviness. These sparkled incessantly in changing shades of blue-grey, under long dark eyelashes. The mouth was full and curved, the hair black-brown, or brown-black, as the light fell upon it. The complexion was a sort of pale olive. Milla had no words to express it; it was a combination she had never seen before. There was a large, very large birth-mark on her cheek, perhaps it was that which disturbed her, for she never turned that cheek when she looked round at Milla. Her figure was developed, very strong and statuesque. Apparently she was a little over sixteen. She did not look well at the moment, she was flushed and had dark lines under her eyes; the perspiration stood on her face.
Her whole appearance was striking; Milla looked at her without a trace of envy. What taste this new girl had, beyond anything she had ever seen; how much she must know!
Every now and then Milla looked at her next neighbour. Anna sat there, spare and angular; her thin, blue, and inordinately long fingers especially occupied Milla to-day. What a contrast!
Should she speak to the new-comer, be friendly to her? Perhaps it would be a little forward. From the moment that she saw her during the next "recreation," walking arm in arm with Nora, this idea was dropped as a matter of course.
During the three weeks which preceded Milla's return, a good deal had happened; a revolution had silently begun which was not yet at an end.
Tora Holm made her appearance in the school rather untowardly. She arrived late, met no one in the hall, and did not know where to go; every one was assembled in the "laboratory" for morning prayers. At that moment Karl Vangen, who had been detained at the bedside of a sick person, rushed in and almost overturned her; then became as confused as only a young clergyman can, mistook her for the new teacher, and bewildered himself and her by his embarrassment. It was therefore some little time before she, in her Bergen sing-song, could explain who she was, and when he heard it, and it flashed into his mind that she was in trouble for her uncle's death and had returned to an unhappy home, he broke out, "We will all be so kind to you here; so"--he seized her hand--"welcome, welcome!" Before he could say more she began to cry. She was nervous and timid, everything was new and strange. He could think of nothing else to do than to open the door and call out "Mother."
And out came Fru Rendalen with her spectacles awry, and asked rather shortly (for Fru Rendalen was particular, and this should not have happened), "What is it, Karl?"
"Here is Fröken Holm, custom-house officer Holm's daughter, mother."