“But, father, who is to be answerable for Father Barry?”

“How!” cried the monk; “for Father Barry? is he not a member of our Society? and do you need to be told that our Society is answerable for all the books of its members? It is highly necessary and important for you to know about this. There is an order in our Society, by which all booksellers are prohibited from printing any work of our fathers without the approbation of our divines and the permission of our superiors. This regulation was passed by Henry III., 10th May 1583, and confirmed by Henry IV., 20th December 1603, and by Louis XIII., 14th February 1612; so that the whole of our body stands responsible for the publications of each of the brethren. This is a feature quite peculiar to our community. And, in consequence of this, not a single work emanates from us which does not breathe the spirit of the Society. That, sir, is a piece of information quite apropos.”[[188]]

“My good father,” said I, “you oblige me very much, and I only regret that I did not know this sooner, as it will induce me to pay considerably more attention to your authors.”

“I would have told you sooner,” he replied, “had an opportunity offered; I hope, however, you will profit by the information in future, and, in the mean time, let us prosecute our subject. The methods of securing salvation which I have mentioned are, in my opinion, very easy, very sure, and sufficiently numerous; but it was the anxious wish of our doctors that people should not stop short at this first step, where they only do what is absolutely necessary for salvation, and nothing more. Aspiring, as they do without ceasing, after the greater glory of God,[[189]] they sought to elevate men to a higher pitch of piety; and as men of the world are generally deterred from devotion by the strange ideas they have been led to form of it by some people, we have deemed it of the highest importance to remove this obstacle which meets us at the threshold. In this department Father Le Moine has acquired much fame, by his work entitled Devotion made Easy, composed for this very purpose. The picture which he draws of devotion in this work is perfectly charming. None ever understood the subject before him. Only hear what he says in the beginning of his work: ‘Virtue has never as yet been seen aright; no portrait of her, hitherto produced, has borne the least verisimilitude. It is by no means surprising that so few have attempted to scale her rocky eminence. She has been held up as a cross-tempered dame, whose only delight is in solitude; she has been associated with toil and sorrow; and, in short, represented as the foe of sports and diversions, which are, in fact, the flowers of joy and the seasoning of life.’”

“But, father, I am sure, I have heard at least, that there have been great saints who led extremely austere lives.”

“No doubt of that,” he replied; “but still, to use the language of the doctor, ‘there have always been a number of genteel saints, and well-bred devotees;’ and this difference in their manners, mark you, arises entirely from a difference of humors. ‘I am far from denying,’ says my author, ‘that there are devout persons to be met with, pale and melancholy in their temperament, fond of silence and retirement, with phlegm instead of blood in their veins, and with faces of clay; but there are many others of a happier complexion, and who possess that sweet and warm humor, that genial and rectified blood, which is the true stuff that joy is made of.’

“You see,” resumed the monk, “that the love of silence and retirement is not common to all devout people; and that, as I was saying, this is the effect rather of their complexion than their piety. Those austere manners to which you refer, are, in fact, properly the character of a savage and barbarian, and, accordingly, you will find them ranked by Father Le Moine among the ridiculous and brutal manners of a moping idiot. The following is the description he has drawn of one of these in the seventh book of his Moral Pictures: ‘He has no eyes for the beauties of art or nature. Were he to indulge in anything that gave him pleasure, he would consider himself oppressed with a grievous load. On festival days, he retires to hold fellowship with the dead. He delights in a grotto rather than a palace, and prefers the stump of a tree to a throne. As to injuries and affronts, he is as insensible to them as if he had the eyes and ears of a statue. Honor and glory are idols with whom he has no acquaintance, and to whom he has no incense to offer. To him a beautiful woman is no better than a spectre; and those imperial and commanding looks—those charming tyrants who hold so many slaves in willing and chainless servitude—have no more influence over his optics than the sun over those of owls,’ &c.”

“Reverend sir,” said I, “had you not told me that Father Le Moine was the author of that description, I declare I would have guessed it to be the production of some profane fellow, who had drawn it expressly with the view of turning the saints into ridicule. For if that is not the picture of a man entirely denied to those feelings which the Gospel obliges us to renounce, I confess that I know nothing of the matter.”[[190]]

“You may now perceive, then, the extent of your ignorance,” he replied; “for these are the features of a feeble, uncultivated mind, ‘destitute of those virtuous and natural affections which it ought to possess,’ as Father Le Moine says at the close of that description. Such is his way of teaching ‘Christian virtue and philosophy,’ as he announces in his advertisement; and, in truth, it cannot be denied that this method of treating devotion is much more agreeable to the taste of the world than the old way in which they went to work before our times.”

“There can be no comparison between them,” was my reply, “and I now begin to hope that you will be as good as your word.”