“I found M. Tony Johannot a most charming person, as he had been described to me, and passed several pleasant days in his society. He agreed to send me four plates, the subjects of which I gave him, together with designs for the cover of the magazine, and the title-page of story, and performed his promise to my entire satisfaction.
“On my return I was induced by my friend Mr. Pettigrew to engage George Cruikshank as the illustrator of the magazine, on terms infinitely more advantageous to the artist than those he had received from Mr. Bentley for his illustrations to ‘Jack Sheppard’ and ‘Guy Fawkes.’
“Now commenced the ‘Miser’s Daughter,’ to which I have already adverted. This was succeeded by ‘Windsor Castle,’—four of the illustrations being furnished, as already mentioned, by Tony Johannot, and the remainder by Cruikshank. The numerous woodcuts were executed by Alfred Delamotte.
“The last story of mine, illustrated by Cruikshank, was ‘Saint James’s, or the Court of Queen Anne,’ published in 1844. Since that date I saw very little of the artist.
“My first acquaintance with George Cruikshank occurred in 1835, when he made some capital illustrations to an edition of ‘Rookwood’ brought out by Mr. John Macrone, of St. James’s Square—a young and spirited publisher, whose premature death was much to be lamented.
“Next came ‘Jack Sheppard,’ which succeeded ‘Oliver Twist’ in Bentley’s Miscellany, and obtained an extraordinary success.
“From their Hogarthian character, and careful attention to detail, I consider these by far the best of Cruikshank’s designs. They raised him to a point he had never before attained.
“I think it proper to mention that more than a third of the work was written before Cruikshank began to illustrate it.
“Of Cruikshank as a teetotaler I can say nothing, because I saw nothing of him. When I knew him, he was extremely convivial, and used to sing a capital comic song, and dance the sailor’s hornpipe, almost as well as the great T. P. Cooke. Perhaps he may have rather exceeded the bounds of discretion, but if he took a little too much, he was hearty and good-humoured, and would never have boasted as he afterwards did of writing portions of ‘Oliver Twist’ and the ‘Miser’s Daughter.’