Technically, the story is an Incident. It has, however, an underlying significance elevating it above the Incident type. This significance becomes manifest in the dénouement, which reveals the influence of Lincoln.

Presentation. The story is told by the omniscient author, who uses Paul’s “slant.”

Setting. South Boston, March, 1860. Point out details which keep the locality before the reader from beginning to end. Why 1860, rather than 1861 or 1862?

Plot. The plot being slight requires only a clear exposition of events in natural order. The author has made use of his one chance to create suspense and utilized it in holding up the name of the Big Stranger. One suspects, but is not sure until the last words.

Character. The main value of the story lies in its description of Lincoln, both in the words of the author—from Paul’s angle—and by what the great man says and does. Which is more forceful?


Mr. Pentz’s prescription for a story is brief: “Having the material write it out.” He believes, further, in the use of simple language. “The average reader must not be sent to the dictionary; it divides the interest and weakens the effect. A writer should eliminate his personality altogether; what he may know of other languages, or of intricate English, will not interest a reader who is busy with a villain in pursuit of the heroine. ‘The play’s the thing.’”

“A CERTAIN RICH MAN—”

Classification. A perfect specimen of the short-story, even of the extreme type-form since all the unities are beautifully maintained. The setting is a dinner table in a home of wealth and refinement; the time is the present; the length of the action is, perhaps, an hour.

Starting Point, and First Stages of Construction. The author was present at a dinner where a young man of wealth, the host, remarked in the course of a discussion of the war that he would willingly give his life if through that sacrifice he could bring an end to the blood glut. The remark impressed every one deeply and was discussed at length. After due thought, Mr. Perry feeling the “story” in the situation, decided that it lay in having the man make good. He mulled the matter over for weeks before finding an answer to his next difficulty “In what way could he make good?” Then there occurred to him the expedient of having present an inventor who had invented an appliance which through its complete death dealing qualities would end the war forthwith. Here, then, was the complete thread of the story. Characters and descriptive background followed in due course. The author has an objection to sad endings and would like to have made it clear that the man came through his test safely. But the whole spirit of the story militated against this. So he left the outcome uncertain, but the inference is that Colcord yielded his life.