"I am not afraid, I, too, will go and talk with the camel men," Chola answered with spirit. No little Hindu boy likes to be told to stay at home with the girls, because in his country it is a sad fact that little girls are not thought as much of as boys, nor do they have so good a time.
The two boys slipped away through the crowded street, dodging between lumbering wagons drawn by oxen, called buffaloes, and pushing their way through a crowd of folk dressed in a great variety of costumes, all in gay colours and with queer gaudy turbans on their heads. The turban forms a very important part of the dress of the Hindu, and Chola could tell by the colour and shape of each man's turban to just what caste each man belonged and what business he was in. There are many of these castes, or classes, of Hindu people, and each caste keeps strictly to itself. A person of one caste must not marry outside his caste; or touch persons of another caste, even; or eat with them, or have any friendly dealings with them. Not only that, but you would think it very tiresome, would you not, to have to remember not to sit next to that person or touch this one? And that you must find out who cooked your food before you might eat it? But this is what our little Hindu cousins have to think of all the time.
Many of the men carried umbrellas of bright colours. Once only very high and mighty people in Hindustan carried umbrellas, or rather had them carried over them by a servant, but now nearly every one carries one;—and they are needed in a country where the sun shines hotly all the year round. For this same reason the streets are nearly covered in by great spreading awnings drawn from one side to the other and forming a sort of roof.
Just for fun the two boys got in the way of the "bhisti" or water-carrier, so that the stream of water from the goatskin bag, with which he was watering the dusty street, might play on their bare feet; but when he turned it toward their heads, they ran away laughing.
"See! there must be a juggler over there," said Chola, pointing to a circle of people around an old man with a gray beard.
The two boys pushed into the circle until they were near enough to see what wonderful things the man was doing. He had just put a few seeds into the dust under a small mat. "Behold," he cried, "there will grow up a beautiful flower," and, sure enough, as he lifted up the mat, there appeared a pot, and from the pot there began to grow up a stem and green leaves, until finally it became a tall plant from which unfolded a great red flower. All at once, as the juggler held the plant up for every one to see, the flower changed into a cage containing two white doves, and, when the door of the cage was opened, the doves came out and began to circle about the juggler's head. At this there was a murmur of wonder and surprise from the crowd. The doves entered the cage again; but, as the people looked, the cage and doves and the red flower and the plant with the green leaves all vanished; and the juggler stood on his little grass mat with absolutely empty hands. Nothing could have been hidden about him, for he had on no clothes except a cloth wrapped around his waist.
"Is it not wonderful?" whispered Nao. "There be people who say it is magic; and that there are no such things in sight as the flower and the doves, and that it is all the power of the eye of the old man that makes other people see things as he wants them to see them."
"Nay, it is real magic, and the flower did grow up before us," said Chola. It would be hard for any one to believe otherwise; for it is true that the jugglers of India do the most wonderful tricks, far more wonderful than those we see in our own country, and no stranger can really tell how they are done.