Who shyly should bestow
The foreign reed-flute they had seen him blow
And finger cunningly,
On one of the dark children standing by,
Then lift his cloak and go.
The years pass. And the child
Thoughtful beyond his fellows, grave and mild,
Treasures the rough-made toy,
Until one day he blows it for clear joy,
And wakes the music wild.
His fondness makes it seem
A thing first fashioned in delirious dream,
Some god had cut and tried,
And filled with yearning passion, and cast aside
On some far woodland stream,—
After long years to be
Found by the stranger and brought over sea,
A marvel and delight
To ease the noon and pierce the dark blue night,
For children such as he.
He learns the silver strain
Wherewith the ghostly houses of gray rain
And lonely valleys ring,
When the untroubled whitethroats make the spring
A world without a stain;
Then on his river reed,
With strange and unsuspected notes that plead
Of their own wild accord
For utterances no bird’s throat could afford,
Lifts it to human need.
His comrades leave their play,
When calling and compelling far away
By river-slope and hill,
He pipes their wayward footsteps where he will,
All the long lovely day.
Even his elders come.
“Surely the child is elvish,” murmur some,
And shake the knowing head;
“Give us the good old simple things instead,
Our fathers used to hum.”
Others at the open door
Smile when they hear what they have hearkened for
These many summers now,
Believing they should live to learn somehow
Things never known before.
But he can only tell
How the flute’s whisper lures him with a spell,
Yet always just eludes
The lost perfection over which he broods;
And how he loves it well.