CONTEMPORARIES.
"A barbered woman's man,"—yes, so
He seemed to me a twelvemonth since;
And so he may be—let it go—
Admit his flaws—we need not wince
To find our noblest not all great.
What of it? He is still the prince,
And we the pages of his state.
The world applauds his words; his fame
Is noised wherever knowledge be;
Even the trader hears his name,
As one far inland hears the sea;
The lady quotes him to the beau
Across a cup of Russian tea;
They know him and they do not know.
I know him. In the nascent years
Men's eyes shall see him as one crowned;
His voice shall gather in their ears
With each new age prophetic sound;
And you and I and all the rest,
Whose brows to-day are laurel-bound,
Shall be but plumes upon his crest.
A year ago this man was poor,—
This Alfred whom the nations praise;
He stood a beggar at my door
For one mere word to help him raise
From fainting limbs and shoulders bent
The burden of the weary days;
And I withheld it—and he went.
I knew him then, as I know now,
Our largest heart, our loftiest mind;
Yet for the curls upon his brow
And for his lisp, I could not find
The helping word, the cheering touch.
Ah, to be just, as well as kind,—
It costs so little and so much!
It seemed unmanly in my sight
That he, whose spirit was so strong
To lead the blind world to the light,
Should look so like the mincing throng
Who advertise the tailor's art.
It angered me—I did him wrong—
I grudged my groat and shut my heart.
I might have been the prophet's friend,
Helped him who is to help the world!
Now, when the striving is at end,
The reek-stained battle-banners furled,
And the age hears its muster-call,
Then I, because his hair was curled,
I shall have lost my chance—that's all.
THE TWO BOBBIES.
Bobbie Burns and Bobbie Browning,
They're the boys I'd like to see.
Though I'm not the boy for Bobbie,
Bobbie is the boy for me!
Bobbie Browning was the good boy;
Turned the language inside out,
Wrote his plays and had his days,
Died—and held his peace, no doubt.
Poor North Bobbie was the bad boy,—
Bad, bad, bad, bad Bobbie Burns!
Loved and made the world his lover,
Kissed and barleycomed by turns.
London's dweller, child of wisdom,
Kept his counsel, took his toll;
Ayrshire's vagrant paid the piper,
Lost the game—God save his soul!
Bobbie Burns and Bobbie Browning,
What's the difference, you see?
Bob the lover, Bob the lawyer;
Bobbie is the boy for me!
A TOAST.
Here's a health to thee, Roberts,
And here's a health to me;
And here's to all the pretty girls
From Denver to the sea!
Here's to mine and here's to thine!
Now's the time to clink it!
Here's a flagon of old wine,
And here are we to drink it.
Wine that maketh glad the heart
Of the bully boy!
Here's the toast that we love most,
"Love and song and joy!"
Song that is the flower of love,
And joy that is the fruit!
Here's the love of woman, lad,
And here's our love to boot!
You and I are far too wise
Not to fill our glasses.
Here's to me and here's to thee,
And here's to all the lasses!
THE KAVANAGH.
A stone jug and a pewter mug,
And a table set for three!
A jug and a mug at every place,
And a biscuit or two with Brie!
Three stone jugs of Cruiskeen Lawn,
And a cheese like crusted foam!
The Kavanagh receives to-night!
McMurrough is at home!
We three and the barley-bree!
And a health to the one away,
Who drifts down careless Italy,
God's wanderer and estray!
For friends are more than Arno's store
Of garnered charm, and he
Were blither with us here the night
Than Titian bids him be.
Throw ope the window to the stars,
And let the warm night in!
Who knows what revelry in Mars
May rhyme with rouse akin?
Fill up and drain the loving cup
And leave no drop to waste!
The moon looks in to see what's up—
Begad, she'd like a taste!
What odds if Leinster's kingly roll
Be now an idle thing?
The world is his who takes his toll,
A vagrant or a king.
What though the crown be melted down,
And the heir a gypsy roam?
The Kavanagh receives to-night!
McMurrough is at home!
We three and the barley-bree!
And the moonlight on the floor!
Who were a man to do with less?
What emperor has more?
Three stone jugs of Cruiskeen Lawn,
And three stout hearts to drain
A slanter to the truth in the heart of youth
And the joy of the love of men.
A CAPTAIN OF THE PRESS-GANG.
Shipmate, leave the ghostly shadows,
Where thy boon companions throng!
We will put to sea together
Through the twilight with a song.
Leering closer, rank and girding,
In this Black Port where we bide,
Reel a thousand flaring faces;
But escape is on the tide.
Let the tap-rooms of the city
Reek till the red dawn comes round.
There is better wine in plenty
On the cruise where we are bound.
I've aboard a hundred messmates
Better than these 'long-shore knaves.
There is wreckage on the shallows;
It's the open sea that saves.
Hark, lad, dost not hear it calling?
That's the voice thy father knew,
When he took the King's good cutlass
In his grip, and fought it through.
Who would palter at press-money
When he heard that sea-cry vast?
That's the call makes lords of lubbers,
When they ship before the mast.
Let thy cronies of the tavern
Keep their kisses bought with gold;
On the high seas there are regions
Where the heart is never old,
Where the great winds every morning
Sweep the sea-floor clean and white,
And upon the steel-blue arches
Burnish the great stars of night;
There the open hand will lose not,
Nor the loosened tongue betray.
Signed, and with our sailing orders,
We will clear before the day;
On the shining yards of heaven
See a wider dawn unfurled....
The eternal slaves of beauty
Are the masters of the world.