“I say I don’t,” she repeated. “I don’t. I don’t think it’s important. Isn’t that clear enough, Renfrew?”

“Yes,” he said, and looked plaintively away from her. “I guess I don’t need any new car.”

“Is there anything more this morning?” she was cruel enough to inquire.

“No,” he answered, rising. “I guess that’s all.” Then, having received another of his almost daily rejections, he went away, leaving her to watch his departing figure with some exasperation, though she might well have admired him for his ingenuity: every day or two he invented a new way of proposing to her. In comparison, her refusals were commonplace, but of course she neither realized that nor cared to be brilliant for Renfrew; and also, this was a poor hour for him, when the electric presence of the black-and-white stranger was still vibrant in the very air. Muriel returned to her room and put the hydrangeas in a big silver vase; she moved them gently, with a touch both reverent and caressing, for they had borne a part in a fateful scene, and already she felt it possible that in the after years she would never see hydrangeas in blossom without remembering to-day and the First Meeting.

Impulsively she went to her desk and wrote:

“Is it true that You have come? My hand trembles, and I know that if I spoke to my mother about You, my voice would tremble. Oh, I could never ask her a question about You! A moment ago I sat upon the veranda with a dull man who wants to marry me. It seemed a desecration to listen to him—an offense to You! He has always bored me. How much more terribly he bored me when perhaps I had just seen You for the first time in my life! Perhaps it is not for the first time in eternity, though! Was I ever a Queen in Egypt and were You a Persian sculptor? Did we meet in Ephesus once?

“It is a miracle that we should meet at all. I might have lived in another century—or on another planet! Should we then have gone seeking, seeking one another always vainly? All my life I have been waiting for You. Always I have known that I was waiting, but until to-day I did not know it was for just You. My whole being trembled when I saw You—if it was You? I am trembling now as I think of You, as I write of You—write to You! A new life has possibly begun for me in this hour!

“And some day will I show You this writing? That thought is like fire and like ice. I burn with it and freeze with it, in terror of You! See! Here is my heart opened like a book for your reading!

“Oh, is it, is it You? I think that You are a painter; that is all I know of You—and why do I think it? It came to me as I stood in a garden, thrilling with my first quick glimpse of You. Was that the proof of our destiny, yours and mine? Yes, the miracle of my knowing that You are a painter when I do not even know your name—that is the answer! It must be You! I tremble with excitement as I write that word ‘You’ which has suddenly leaped into such fiery life and meaning: I tremble and I could weep! Oh, You—You—You! Is it?”

Twice, during the latter phases of this somewhat hasty record of ardour, she had been summoned to lunch, and after hurrying the final words upon the page, she put the paper into a notebook and locked it inside her desk. Then she descended the stairs and went toward the dining-room, but halted suddenly, unseen, outside the door. She had caught the word “painter,” spoken by her father.