Dinner on Sunday, the most elaborate feast of the week for the Madisons, was always set for one o’clock in the afternoon, and sometimes began before two, but not to-day: the escorts of both daughters remained, and a change of costume by Cora occasioned a long postponement. Justice demands the admission that her reappearance in a glamour of lilac was reward for the delay; nothing more ravishing was ever seen, she was warrantably informed by the quicker of the two guests, in a moment’s whispered tete-a-tete across the banisters as she descended. Another wait followed while she prettily arranged upon the table some dozens of asters from a small garden-bed, tilled, planted, and tended by Laura. Meanwhile, Mrs. Madison constantly turned the other cheek to the cook. Laura assisted in the pacification; Hedrick froze the ice-cream to an impenetrable solidity; and the nominal head of the family sat upon the front porch with the two young men, and wiped his wrists and rambled politically till they were summoned to the dining-room.
Cora did the talking for the table. She was in high spirits; no trace remained of a haggard night: there was a bloom upon her—she was radiant. Her gayety may have had some inspiration in her daring, for round her throat she wore a miraculously slender chain of gold and enamel, with a pendant of minute pale sapphires scrolled about a rather large and very white diamond. Laura started when she saw it, and involuntarily threw a glance almost of terror at Richard Lindley. But that melancholy and absent-minded gentleman observed neither the glance nor the jewel. He saw Cora’s eyes, when they were vouchsafed to his vision, and when they were not he apparently saw nothing at all.
With the general exodus from the table, Cora asked Laura to come to the piano and play, a request which brought a snort from Hedrick, who was taken off his guard. Catching Laura’s eye, he applied a handkerchief with renewed presence of mind, affecting to have sneezed, and stared searchingly over it at Corliss. He perceived that the man remained unmoved, evidently already informed that it was Laura who was the musician. Cora must be going it pretty fast this time: such was the form of her brother’s deduction.
When Laura opened the piano, Richard had taken a seat beside Cora, and Corliss stood leaning in the doorway. The player lost herself in a wandering medley, echoes from “Boheme” and “Pagliacci”; then drifted into improvisation and played her heart into it magnificently—a heart released to happiness. The still air of the room filled with wonderful, golden sound: a song like the song of a mother flying from earth to a child in the stars, a torrential tenderness, unpent and glorying in freedom. The flooding, triumphant chords rose, crashed—stopped with a shattering abruptness. Laura’s hands fell to her sides, then were raised to her glowing face and concealed it for a moment. She shivered; a quick, deep sigh heaved her breast; and she came back to herself like a prisoner leaving a window at the warden’s voice.
She turned. Cora and Corliss had left the room. Richard was sitting beside a vacant chair, staring helplessly at the open door.
If he had been vaguely conscious of Laura’s playing, which is possible, certainly he was unaware that it had ceased.
“The others have gone out to the porch,” she said composedly, and rose. “Shan’t we join them?”
“What?” he returned, blankly. “I beg your pardon——”
“Let’s go out on the porch with the others.”
“No, I——” He got to his feet confusedly. “I was thinking—— I believe I’d best be going home.”