They were seated on opposite sides of Harkless's desk. Sheets of blank scratch-paper lay before them, and they relaxed not their knit brows. Now and then, one of them, after gazing vacantly about the room for ten or fifteen minutes, would attack the sheet before him with fiercest energy; then the energy would taper off, and the paragraph halt, the writer peruse it dubiously, then angrily tear off the sheet and hurl it to the floor. All around them lay these snowballs of defeated journalism.
Mr. Parker was a long, loose, gaunt gentleman, with a peremptory forehead and a capable jaw, but on the present occasion his capability was baffled and swamped in the attempt to steer the craft of his talent up an unaccustomed channel without a pilot. “I don't see as it's any use, Fisbee,” he said, morosely, after a series of efforts that littered the floor in every direction. “I'm a born compositor, and I can't shift my trade. I stood the pace fairly for a week, but I'll have to give up; I'm run plumb dry. I only hope they won't show him our Saturday with your three columns of 'A Word of the Lotus Motive,' reprinted from February. I begin to sympathize with the boss, because I know what he felt when I ballyragged him for copy. Yes, sir, I know how it is to be an editor in a dead town now.”
“We must remember, too,” said his companion, thoughtfully, “there is the Thursday issue of this week to be prepared, almost at once.”
“Don't! Please don't mention that, Fisbee!” Parker tilted far back in his chair with his feet anchored under the desk, preserving a precarious balance. “I ain't as grateful for my promotion to joint Editor-in-Chief as I might be. I'm a middling poor man for the hour, I guess,” he remarked, painfully following the peregrinations of a fly on his companion's sleeve.
Mr. Fisbee twisted up another sheet, and employed his eyes in following the course of a crack in the plaster, a slender black aperture which staggered across the dusty ceiling and down the dustier wall to disappear behind a still dustier map of Carlow County. “That's the trouble!” exclaimed Parker, observing the other's preoccupation. “Soon as you get to writing a line or two that seems kind of promising, you begin to take a morbid interest in that blamed crack. It's busted up enough copy for me, the last eight days, to have filled her up twenty times over. I don't know as I ever care to see that crack again. I turned my back on it, but there wasn't any use in that, because if a fly lights on you I watch him like a brother, and if there ain't any fly I've caught a mania for tapping my teeth with a pencil, that is just as good.”
To these two gentlemen, thus disengaged, reentered (after a much longer absence than Miss Selina's quatrain justified) Mr. Ross Schofield, a healthy glow of exertion lending pleasant color to his earnest visage, and an almost visible laurel of success crowning his brows. In addition to this imaginary ornament, he was horned with pencils over both ears, and held some scribbled sheets in his hand.
“I done a good deal down there,” he announced cheerfully, drawing up a chair to the desk. “I thought up a heap of things I've heard lately, and they'll fill up mighty well. That there poem of Miss Seliny's was a kind of an inspiration to me, and I tried one myself, and it didn't come hard at all. When I got started once, it jest seemed to flow from me. I didn't set none of it up,” he added modestly, but with evident consciousness of having unearthed genius in himself and an elate foreknowledge of the treat in store for his companions. “I thought I'd ort to see how you liked it first.” He offered the papers to Mr. Parker, but the foreman shook his head.
“You read it, Ross,” I said. “I don't believe I feel hearty enough to-day. Read the items first—we can bear the waiting.”
“What waiting?” inquired Mr. Schofield.
“For the poem,” replied Parker, grimly.