Yet, in the next drawing, which, like all the others, was of the same stairway, or series of cliffs, with little “men” upon the steps or ledges, a sharp disaster had befallen this figure adorning with its perfection the summit of the first design. Cornelia had drawn a straight line from the summit down to the bottom of the page; and evidently this straight line indicated a precipice of catastrophical dimension. At the foot of it lay the dot and five lines representing the head, body, and members of William Peterson McAvoy, again thus denominated, and near by was written the simple explanation, “Too Snooty.” The summit was bare.
In a subsequent design, done when Cornelia was thirteen, the half handsome Georgie P., who had sometimes occupied one step and sometimes another, finally made his appearance upon the summit, though without any other explanatory tribute than a date: “Sept. 16th.” But Georgie P. did not long remain in his high position. A drawing made only a week later depicted him miserably upon his back at the foot of the precipice, and beside him Cornelia had written: “Perfectly Odious. Well only another dream shattered.”
All of the drawings were dated and thus proved that they were made at irregular intervals;—sometimes two or three months had elapsed between them; sometimes three or four would be produced within a week; and the figures upon the steps or ledges varied in name and relative position as greatly, though one or two of the names appeared upon all of the designs except the last and most recent one. This had been drawn only a month ago, and was interestingly different from its predecessors.
One thing that made it different was the fact that it contained a Mister. In the others there were Georgies and Harolds and Williams and Toms and Johnnies; but now, for the first time, with unique dignity, appeared “Mr. Bromley,” neither a Mister nor a Bromley having been seen upon any previous step or ledge. Moreover, this début of his was unprecedented. Instead of occupying one ledge and then another, sometimes ascending, sometimes descending, before reaching the final elevation, Mr. Bromley made his first appearance strikingly upon the summit. More than this, the ledges below him were unoccupied;—the lofty plateau alone was inhabited. The Harolds and Johnnies and Georgies were gone utterly from the picture, as if unworthy to be seen at all upon a mountain crowned with this supreme Mister.
For the cliffs, or stairway, meant a mountain to Cornelia;—she thought of the drawings as a mountain; and she called the little packet, kept in the locked drawer, “My Mountain.” Her mountain was her own picture of her heart and of the impressions made upon it;—no wonder she kept it locked away! And now it was a deeper secret than ever, for in its present state it glorified the one name alone, and would have told her world everything. Mr. Bromley was the “English Professor,” aged forty-three, at the boarding-school where she was a day scholar; and not long ago he had told her she ought to think “less about candy and more about books and life.” That was what was the matter with Cornelia;—she had begun her novel immediately, and spent a great deal of time in her room, thinking about life and Mr. Bromley.
Mr. Bromley was the hero of the novel and Cornelia thought of him as Gregory Harlford. The general public would never have supposed Mr. Bromley to be an aviator, and he had no claim, in fact, to be thought anything so dashing, though he was fond of chess and still played tennis sometimes. Nevertheless, he seemed to be a quietly resourceful man, one who would find a way out of almost any difficulty, and it was strange that he remained so long suspended in mid-air, in Cornelia’s story, even after the vacancy beneath him had been reduced to a thousand feet. For, after looking over her mountain, Cornelia again took up the little leather-bound notebook and renewed the struggle for a second sentence.
Nothing resulted, and, sighing, she gave over the effort and performed a little daily ceremonial of hers, placing side by side in a row her mementoes of Mr. Bromley—the stub of the pencil he had used, the worn shoe-lace he had broken and carelessly tossed aside, the rosebud she had once asked him to smell, the violets that had dropped from his coat lapel, and the fragment of the amber mouthpiece of his pipe, broken when it fell from his pocket upon the stone steps of the school building. Dreamily, she put them all in a row, touching them gently, one after the other; then she leaned her elbows upon the desk and, with her chin in her hands, thought about life and books in a general way for several minutes.
After that, as the air was warm in the room, she went to the window and opened it. Looking down moodily, she saw her sister Mildred departing. “Going home to mess around with the baby,” Cornelia thought. “That’s her life. How strange she can be contented with it!”